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Fawn season demands extra caution

BY MARCIA JANSEN

Driftwood Contributor

It’s the time of year again: fawns are born and start to follow their mothers, and inevitably cross our roads. Marielle Bonnet, animal care manager at the Island Wildlife Natural Care Centre, urges people to slow down for the safety of animals and humans.

Bonnet has been working at the island’s wildlife rescue centre, located in the south end, since 2000. She said in recent years she has seen a stark increase in the number of deer and fawns hit by cars.

“With the increase in population and traffic on Salt Spring Island, we have seen a noticeable rise in the number of fawns hit by vehicles in recent years,” Bonnet said. “Each year, we rescue between 30 and 40 deer. We used to care for one or two fawns hit by vehicles each year, but currently, around 50 per cent of the fawns that we rescue have been hit by cars.”

Deer and their young often follow the same paths every day, so volunteers have been placing signs on the sides of the roads at the most dangerous locations where deer and fawns are frequently struck.

“We urge people to slow down when they see these signs or a deer on the side of the road. Give it time to cross the road because there may be one or two fawns, as twins are a frequent occurrence, following closely. Of course, we ask people to be cautious and only slow down when it is safe to do so. We don’t want anyone to cause or get hurt in an accident.”

Some people may say that we have a large deer population on Salt Spring Island and losing a few is not that bad.

“We actually don’t have an estimate on how many deer we have on the island and I am sure that we lose far more deer to cars, diseases, dogs and hunting than we would if we had more bears and cougars on the island,” Bonnet said. “And no matter how many deer we have on Salt Spring, getting hit by a car and suffering from internal bleeding and multiple fractures on the side of a road is a horrendous way to die.”

Most of the black-tailed deer are born between May and June. The first two weeks of their lives they stay mostly in one place, while their mothers are foraging close by.

“Fawns have white spots for camouflage and no scent to keep them safe from predators and in those two weeks the moms are usually not far away. If you find a fawn lying down alone around this time of year, they are likely in trouble since they are older and should be walking and be with their mother. If you think a fawn is injured or orphaned, please do not touch it and call us right away so we can check on it.”

Between June and mid-September, we have another baby boom when the harbour seals are born. If you see a baby seal all by itself, it is always wise to call the wildlife centre.

“Female harbour seals raise their pups in rookeries, which are isolated rocks or small islands away from populated areas. They do not nurse on beaches where people are around. When a baby seal is born it can swim like a rocket, and mother and pup always stay together. So when you see one by itself on a beach, in a marina or a harbour, it could be orphaned.”

Bonnet, who worked in the Netherlands at the biggest seal rescue in Europe and has 25 years of experience working with seals, explains how you can recognize an orphaned seal pup.

“When it’s constantly crying, has punctures or wounds, is thin and lethargic, suckling on inappropriate objects like boats or kayaks, or trying desperately to haul out on a boat or a dock, or if you see a pup stranded in an unusual location like a busy beach, it is likely orphaned. If you see these signs in a seal pup, don’t touch it and call us so it can be accurately assessed by trained professionals. You could save a life.”

The Island Wildlife Natural Care Centre can be reached at 250-537-0777 seven days a week.

Book Bus campaign for Zambia underway

Salt Spring’s Margriet Ruurs is the author of more than 40 published children’s books. One of those is called My Librarian is a Camel, which features mobile libraries around the world.

It’s fitting, then, that she and family members are heading to Zambia later this month to volunteer with a unique mobile library called The Book Bus, and hopefully bringing lots of books for the library with them.

A few years ago, Ruurs and her husband Kees travelled to Zambia to volunteer with The Book Bus. This year, Ruurs decided to take her two grandsons and their mother along to do the same.

“I think it is important for the boys to experience life on a different continent, but also to engage in volunteer work,” Ruurs said.

The Book Bus program is a not-for-profit organization based in the U.K., which runs literacy programs for children in Zambia. Ruurs, grandsons Nico, aged 14, Aidan, aged 12 and their mom Hannah will all be working as volunteers in the town of Kitwe in northern Zambia.

“We expect to be helping children discover the joy of books by reading to them, doing crafts based on books and running a summer program,” Ruurs explained.

Aidan Ruurs is a well-known young skateboarder who rides in Kanaka Park most days. His goal is to share his love of skateboarding by teaching kids in Zambia to ride. His sponsor, Nanaimo-based Vault, as well as Salt Spring’s Axe & Reel, have generously donated skateboards and equipment that the family will take along.

They have also started a GoFundMe Campaign in hopes of bringing the gift of books from Canadian friends and supporters. Many Canadian children’s authors have already contributed to the cause. Any Salt Springers wishing to help reach the goal of sponsoring a shelf full of books and teaching materials for children in Zambia are encouraged to check out the gofundme.com/f/a-meter-of-books-will-make-miles-of-difference page. Ruurs’ fundraising goal is $1,750.

Shakespeare’s Tempest opens July 11

With a cast of actors ranging in age from six to 80, the Salt Spring production of Shakespeare’s The Tempest is, according to Christina Penhale, above all else a crowd-pleaser –– even while the play itself seems to have much to say on matters within the current political and social zeitgeist. 

“It talks about nature, and how nature is treated,” said Penhale. “And colonialism, and misogyny, and racism. There are all these pieces tied to the human condition.” 

Set with largely original music, and as a return to the lovely outdoor Bard Owl Manor location and its cedar grove, The Tempest invites audiences to a tale of “power, forgiveness, and the relentless passage of time, seen through the eyes of a man navigating his own extraordinary reality,” according to Penhale.  

And not unlike exitStageLeft’s earlier production of Taming of the Shrew –– deliberately cross-cast, and re-set in the wild west –– the company’s presentation this year of The Tempest proposes another uncommon framing: a residential care home. 

Elaborating further might spoil too many delightful surprises, cast and crew told the Driftwood; but the journey is rewarding, featuring sound and music written by Caitlin Acken, Penhale and Jekka Mack. And the entirely local cast is supported by what Penhale said might be the most ambitious technical production the company had yet devised. 

“There’s a theatrical feast of magic elements that occur throughout the play,” she said. “We have an incredible technical crew. What has been accomplished is quite astounding.” 

The company, according to director Jeffrey Renn, takes its purpose from Shakespeare’s proposition in Hamlet –– to “hold as ‘twere the mirror up to nature.” 

“And that makes us ask a bunch of questions,” said Renn. “We’re trying to look at Shakespeare as our contemporary, not as some museum beast. If we’re going to still do these plays, then we have to look at them through the lens of contemporary society.” 

That gaze, he said, has inescapably sharpened since the start of the COVID pandemic –– whether examining racism, sexism, our relationship with First Nations or the rise of right-wing fundamentalism –– and among its many virtues, the theatre is also a place for healing. 

“I have always said that we think of theatre as medicine, so we ask ourselves, ‘What’s the medicine that we need?’” he asked, pausing. “Right now, we need comedy.”  

“Received wisdom” on the framing of Tempest as a comedy or a fairytale notwithstanding, Renn said, there is so much more within. 

“On one level, it is play, and fun, and joy, and entertainment,” he said. “On another, it’s some serious questioning of who and what we are.”  

Clark Saunders –– playing Prospero –– called the play relatable, and his character intriguingly complex. 

“He’s not entirely sympathetic,” laughed Saunders. “Every one of his relationships is complicated; he loves his daughter Miranda in his own way, he’s occasionally annoyed with Ariel but has real feelings of affection for her, too. There’s no unidimensional relationship in Prospero’s life, they’re all in some way complicated.” 

Running for just six performances –– in a partnership with Rebecca Nygard at Graffiti Theatre and through the generosity of the Roome family, Penhale said –– The Tempest’s outdoor setting may require “cozy wraps or jackets,” as even in summer an evening can be cooler. Penhale said guests should arrive with lawn chairs or blankets, and might consider bringing a picnic dinner to enjoy before and during the show. And, with proceeds going to Salt Spring’s BC SPCA, there will be dessert snacks and drinks available for purchase. 

Penhale said these productions are possible only through the hard work and creative spirit of everyone involved –– and all were looking forward to bringing islanders and visitors together for several special evenings.  

“We’re probably looking at between 50 and 60 people that will be making this amazing show happen,” said Penhale. “There’s something about creating and community that’s very necessary and very relevant right now.” 

Showtime is 7:30 p.m. July 11, 12, 18, 19 and 20, with a 4 p.m. closing performance July 21. Gates open 30 minutes earlier. Tickets are available only in advance at exitstageleftproductions.com

Wastewater shows rising COVID-19 levels

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From reduced service hours to cancelled social plans, if it feels like everyone on the island knows someone coming down with COVID right now, there’s at least some supporting evidence, according to provincial health officials. 

SARS-CoV-2 levels are elevated in most of the province’s wastewater testing sites relative to April, according to a monthly update from the BC Centre for Disease Control (BCCDC) that came Thursday, July 4, with Island Health region sites in Nanaimo and Comox Valley holding steady while Victoria’s levels rose. And while testing showed elevated levels of the virus that causes COVID-19, the number of detected cases has increased even while testing rates remained stable.  

Neither that wastewater detection increase nor the Island Health region’s rising positivity rate –– 24.5 per cent for the week ending June 29, according to BCCDC data, up from 10.8 per cent for the week ending May 11 –– necessarily mean the disease is more severe, according to BCCDC’s July 4 Respiratory Epidemiological Summary, but more people are likely becoming sick. 

“COVID-19 severity indicators remain stable since late May,” read the report. “The majority of hospital admissions are among adults 60 years and older.” 

Genomic surveillance testing across the province indicates the KP.3* and LB.1* sublineages of JN.1* account for the majority of sequenced virus specimens; that mirrors the national context across Canada, officials said, where these sublineages are showing growth. Most COVID-19 indicators nationwide are at low levels with signs of increase, although trends vary across the provinces and territories.   

Viewpoint: Lifting the watershed invisibility cloak

By JOHN MILLSON

On June 20, Salt Spring Island had a visit from Raincoast Foundation, with a public talk by renowned expert Peter Ross and a pilot round of freshwater sampling for a possible future Fulford Creek watershed Healthy Waters project. 

The Salt Spring Island Water Preservation Society Freshwater Catalogue volunteers and Transition Salt Spring Marine group were amongst the first to field test “Tracker,” a new mobile water pollution Raincoast field lab. This sampling work and “instant” lab analysis results provided while in the field on the same day are very likely a first for freshwater field science on Salt Spring Island!  When fully equipped, the Raincoast Tracker field lab will be able to process multiple freshwater quality components on site, supporting a rapid assessment of a watershed’s health and a comparison with the health of other key B.C. watersheds.  

With Raincoast’s support, our principal Salt Spring Island watershed and the creek systems associated with Fulford Creek can be a part of a significant Raincoast Healthy Waters program, investigating visible and invisible pollutant identification in a key island watershed — an exciting new project. This project would build on our recent Fulford Harbour collaboration and reporting, working with the Raincoast Foundation and Gulf Islands National Park. 

The really good news is we have an existing basic understanding of the watershed (key field sites and natural systems variability), and a good ongoing collaboration with our Raincoast colleagues. A next step into a Raincoast-supported island Healthy Waters program will be easy, funding permitting.  

At this point, a Salt Spring Island Healthy Waters initiative is a “potential” project only, as some quite significant funding (about $45,000) is needed for successful execution. A key part of any possible Salt Spring Island Healthy Waters field program will be field work and sampling with Tracker to determine basic freshwater quality parameters while in the field, and relatively high-end, lab-based analysis to allow us to determine the extent of so-called invisible pollutants entering our watershed and ecosystems. The invisibles are chemicals and compounds that should not be present in a natural system and which are natural system disrupters for all life. Levels of invisibles are by their very nature unknown, and we have a real chance to lift the invisibility cloak for one of our key island watersheds. Who knows what we might find, but it is a nothing-ventured, nothing-gained story.   

To undertake this project, about $45,000 is needed for some of the lab work, which involves sampling from watershed source areas, creek systems, faucets, possible contaminated inflow sites, including roads and discharges into the marine realm.

If you are interested in helping to fund a Fulford Creek watershed Healthy Waters project, please drop a line to me at john@ssiwaterpreservationsociety.ca.

The writer is a Salt Spring Island Water Preservation Society board member, geologist and environmentalist.

Wooden boat love illuminates exhibit

BY ELIZABETH NOLAN

Special to the Driftwood

Gabriola islander Tony Grove has a unique understanding of wooden watercraft, having enjoyed careers as a shipwright, boat-building teacher and, most recently, as a visual artist.

Having built and designed scores of vessels from the ground up and become an expert on restoring historic wooden boats, Grove’s understanding moves beyond the structural and into something like the metaphysical. When he sees an old boat he can often tell its provenance and its designer, but on a deeper level he grasps its innate character.

That unique insight informs Grove’s paintings, which can currently be seen at the solo exhibition called A Boat Builder’s Perspective at Gallery 8.

Nearly filling the new addition that housed Steffich Fine Art for many years, Grove’s large canvases produce an immediate impact on the viewer. He works in a realist style without being concerned with hyper-photo realism. Indeed, his acrylic works move a step beyond the real to express his unique perspective. The painted wooden rowboats and canoes seen pulled up onto the beach or waiting at the dock are given a souped-up palette of bright oranges and reds. The boats contrast beautifully with the cool ocean and forest shades while creating a very different look than your typical West Coast landscape.

Speaking on the phone from Gabriola, he said, “For me, I just love colour, so I want to pop the colour up. There’s a lot of people who do West Coast imagery where they try to stay true to the colours they’re looking at, but I love colour so I try to bring them up.”

As to whether boats or art came first for Grove, he said he always had a colouring book as a child and later moved on to drawing and painting, but career-wise it started with the boats. He was looking for work after high school when he noticed the Vancouver Shipyards was seeking apprentices. He entered the program as a woodworker and came to specialize in wooden boat building and restoration.

Grove moved to Gabriola after signing on as teacher at the Silva Bay Shipyard School, Canada’s only full-time traditional wooden boatbuilding school during its lifetime from 1997 to 2010. (He soon became the school’s chief instructor.) While there, he received a commission to build a 34-foot sailboat, so he found himself a property with a shop, which also came with a house.

A significant project that truly showcased Grove’s skills came to fruition with the restoration of the Dorothy, the oldest sailing vessel in the Pacific Northwest and the oldest vessel in Canada that has been in continuous use. The project was commissioned by the Maritime Museum of B.C. and Grove received an award for Best Classical Restoration Under 40 Feet for his work.

In recent years Grove has focused on his visual art, where wooden boats are still nonetheless his favourite subject. Grove said he often selects the boats he paints because their design, their builder and/or their location has meaning to him in some way. He’s sharing his appreciation for the myriad hulls, styles and construction styles of yore that were both beautiful and incredibly efficient in the water, but have been supplanted by fibreglass and boxy shapes propelled by motors.

“Selling a lot of paintings is not my main drive,” Grove said. “The West Coast has a lot to offer [in maritime history], but it’s disappearing quickly, so I’m trying to document these old great designs.”

For this reason, moving art sales is in no way a motivating factor behind Grove’s artwork. But at the same time, Grove is deeply moved that others have responded so strongly that he can now focus on art full-time.

“I love the emotional response when I see people walk in and say, ‘Oh my God!’”

West Coast art lovers and mariners of all types should hurry in to Gallery 8 to see the solo exhibition before it ends on July 14, but Grove’s work will still be found after that in the regular group exhibit.

For more information about Grove and his paintings, visit gallery8saltspring.com.

Kanaka Skatepark expansion proposed

The popularity of a fun Fracas at Kanakas competition and the Kanaka Skatepark in general is giving fuel to a plan to expand the 20-year-old amenity.

“The plan is to have more of a street-style area extending the skatepark into where the swing set is by the TASK area,” said Angelo Scaia of the Salt Spring Skatepark Society. “This will add a bit more variety to the existing park, which consists mostly of transitions. It will also be great for beginners.”

The skatepark society spearheaded the drive for the original park, which is on School District 64 property but owned by the Capital Regional District (CRD). The island’s Lions Club stepped up in a big way with a $100,000 donation in 2004 to ensure the park could be built.

While Scaia and fellow society member Tristan Scarfo told the Salt Spring Local Community Commission (LCC) at a meeting last month they are not looking for LCC/CRD funding for the estimated $350,000 project, they do hope to receive approval and advice on how best to proceed. Scaia and Scarfo said funds will come from non-profit organizations, local businesses and the families of young skateboarders.

The Gulf Islands Board of Education has given approval in principle to the project, and the LCC passed a motion for staff to bring a report back to a future meeting.

A recent Fracas at Kanakas competition saw non-stop action at the park, with top-three winners in beginner, intermediate and advanced categories claiming prizes. In the beginner category, Hudson finished first, Ivy second and Woodrow third. Intermediate skaters saw Joseph Deboucherville in first place, Jasper in second and Graham in third. Advanced division winner was Leo Powers; Mike Rogers came second and Aidan Ruurs third.

Scaia was grateful to Scarfo, John Sayer and Patrick Powers for their help with organizing the Fracas, along with Katie Burke on sign-up, Nick Abley on the barbecue, DJs Graham van Pelt, Ben Frey and Raf Katigbak, emcee Jordan Ettinger and all the local businesses that provided sponsorships for the event.

Island sailors head to BC Summer Games

SUBMITTED BY SSI Junior Race Team

In light winds and strong currents, two junior sailors from Salt Spring were first overall in the Club-420 division at the Sail Canada 2024 Sail West Championships at Royal Vancouver Yacht Club (RVYC) on June 22-23.

Team skipper Izzi Pugh Aucoin said that she and her partner Reuben Sol began the racing on Saturday morning with a first and second place in their first two heats. In the afternoon, however, the winds became light and variable, requiring careful directional changes in order to make the most of them.

In the third and last heat of the day, Pugh Aucoin and Sol had rounded the first mark when they noticed a slight change in the wind direction. They were able to use that to their advantage and outpaced the other teams, who had yet to notice the change in air. By the time the other teams changed their courses to match the wind, they were far behind the Salt Spring team. As Pugh Aucoin and Sol crossed the finish line, the wind died and a strong current caused all the other teams to be unable to complete the course within the allotted time.

On Sunday, again with variable winds, Pugh Aucoin and Sol placed first in the first two heats, with a third in the final, leaving them on top of the standings overall.

The regatta at RVYC caps a successful spring of sailing for the Salt Spring Island Sailing Club’s junior racing team. Pugh Aucoin and Sol also won the C-420 division at the Spring Dinghies Regatta held at the Royal Victoria Yacht Club in May, and they were named to the BC Summer Games Team for Zone 6, Vancouver Island. They will be joined at the games by their Salt Spring teammates Malikaa Clement and Maeve FitzZaland, who will also be competing in the C-420 division.

The BC Summer Games will take place in Maple Ridge (with sailing at Rocky Point, Port Moody) from July 17-21.

CRD purchases Galiano land for housing

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A regional district purchase of 10 acres on Galiano Island is paving the way for 20 units of affordable rental housing, according to officials.

The Capital Regional District (CRD) announced Monday, July 8 it had acquired the parcel, formerly known as “Galiano Green,” for its 2023 assessed value of $672,000, advancing what is now called the Thuthiqut Hulelum’ Housing Project –– “Forest Homes” in the Hul’q’umi’num’ language. Southern Gulf Islands electoral area director Paul Brent said the purchase would expand affordable living options on the island, something he said has been his “top priority” as an elected official.

“The acquisition of this property marks a significant step forward in addressing this critical need,” said Brent. “We are committed to creating inclusive, sustainable communities, and the Thuthiqut Hulelum’ Housing Project stands as a beacon of hope for low to moderate income individuals and families seeking a place to call home.”

The property had previously been held by the Galiano Affordable Living Initiative Society (GALI), a non-profit charity which shepherded the parcel through pre-development after purchasing it from the Galiano Community Housing Society in 2020. GALI received zoning approval for the proposed project from the Galiano Island Local Trust Committee in late 2022.

Under the terms of the CRD’s purchase agreement, GALI will be the project operator once an occupancy permit is issued.

Praising the property’s Georgeson Bay Road location for easy access to amenities and services, organizers said Thuthiqut Hulelum’ will offer a diverse array of housing options catering to low- and moderate-income residents, Indigenous Peoples, seniors, individuals with disabilities and families.

In September 2023, the CRD Board approved the use of $2,750,000 Growing Communities Funds (GCF) to advance the project; those funds are being used to purchase the property, with the remaining to be used as equity towards construction.

According to a press release, the CRD is also continuing to pursue additional equity funding which will be required before construction can begin.

The CRD has been developing a Rural Housing pilot program for the Southern Gulf Islands and Salt Spring Island electoral areas, and said the project on Galiano was “an example of the scale appropriate for multi-unit affordable housing suited to our island communities.”

Summer Outdoor Concert Series begins

SUBMITTED BY SALT SPRING ARTS

This summer marks Salt Spring Arts’ fifth year offering free live music at Centennial Park through their Summer Outdoor Concert Series (SOCS), presented in partnership with Salt Spring Country Grocer and Island Savings, a division of First West Credit Union.

The six-week-long series launches next week on July 18, taking place every Thursday evening from 6 to 8 p.m. through Aug. 22. This beloved program of Salt Spring Arts brings together locals and visitors, youth and elders, and everyone in between, strengthening our island’s vibrant creative community in celebration of arts and culture.

SOCS’ first concert next week will see enchanting vocal trio The Selkies of Salt Spring Island taking the stage at 6 p.m. as the first local opening act of the season. These three sopranos, Schuyler Witman, Leanne Brunelle and Johanna Peters, came together in 2022 to join voices and forces.

The first headlining act of this year is also the furthest-travelled SOCS artist yet; singer/songwriter and guitar sensation Steph Strings hails from Melbourne, Australia. With influences ranging from the John Butler Trio to Kim Churchill, this young storyteller combines fingerstyle guitar with bursts of percussion, Celtic, blues and folk. Her music and stage presence continue to captivate audiences around the world.

Steph’s fourth EP, Cradle Mountain, was just released on June 28 after it was recorded on the Gold Coast in Australia. She has sold out shows while touring both domestically and internationally, and this year will see her performing across Canada and Europe. Steph has been breaking onto the global festival circuit, having played previously at the Edmonton Folk Festival, Hillside Festival, Festival Les Escales, Rolling Stone Weekender, Woodford Folk Festival and more.

Next Thursday, July 18, bring a blanket, a picnic and your dancing shoes to Centennial Park to enjoy the first of six free live concerts in the beautiful setting of Ganges Harbour.

For more information about the Summer Outdoor Concert Series, visit saltspringarts.com/socs.