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Festival of Trees keeps branching out

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The 10th annual Salt Spring Island Festival of Trees fundraiser was the most-attended yet, according to organizers, raising more than $6,200 for various local charities. 

And in addition to the usual locals, the now decade-long tradition at the Harbour House Hotel seems to be attracting an increasing number of tourists. The festival this year added new events — Breakfast with Santa, Tastes of the World and Decadent Desserts — alongside the Forest of Miracles islanders remember from last year. Proceeds from the Forest of Miracles went to local organizations, including Copper Kettle and the Greenwoods Eldercare Society. 

“It is a true symbol of community spirit and holiday cheer,” said Harbour House general manager Kelly Armstrong, “uniting local artisans, businesses and volunteers to decorate a dazzling display of Christmas trees.” 

All of the highest bidders for the trees opted to donate them to families that needed a little extra support during the festive season, she said.  

The original Festival of Trees component that sees food bank donations placed under several decorated trees at the hotel also continued, with the Friends of Kenya tree declared the winner this year.

Southern Gulf Islands Tourism Partnership chair Randy Cunningham said the hope was for the Festival of Trees to continue growing as an event to attract tourists and build up the visitor economy during what has traditionally been the off-season. 

“We’re seeing that many visitors are eager to participate in community events,” said Cunningham. “It’s a way to connect the visitor with the place in a genuine way, which helps to create visitation that gives back to our islands socially, culturally and environmentally — not only economically.” 

Armstrong said travel trade polls have shown that travellers are looking for authentic experiences that are the essence of the communities they are visiting.  

“We can see this with the Festival of Trees on Salt Spring, as well as the ‘Tastes of the World’ event,” said Armstrong, noting that raising money for local student athletes’ travel expenses gives visitors an opportunity to have a direct impact on the islanders’ quality of life.

“It also supports Southern Gulf Island businesses and farms,” said Armstrong, “by purchasing their products [for use during the event] during off-peak times.” 

Pair of parcels conserved on Galiano Island

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Two Galiano Island properties recently purchased for environmental protection marked a first for one conservation group: both were acquired without a public fundraising campaign. 

Galiano Conservancy Association (GCA) development coordinator Martine Paulin said the recent protection of 116 acres at Quadra Hill — and the addition of more than 10 further acres to the existing Mount Sutil Nature Sanctuary — were each accomplished through partnerships that had been developed over several years. 

“These two landmark acquisitions enhance biodiversity, increase habitat connectivity, support climate action and protect several provincially listed species at risk,” said Paulin, adding that the now-expanded Mount Sutil property was GCA’s first land acquisition, shortly after the charity was founded in 1989. 

The expansion of the remote and relatively undisturbed Mount Sutil meadows and bluffs came thanks to a partnership with the BC Parks Foundation (BCPF), Sitka Foundation and an anonymous donor — protecting an additional 10.4 acres of coastal Douglas-fir forest and sensitive Garry oak bluff habitat. The new protected area, now owned by BCPF and currently referred to as the Mount Sutil Extension, will be leased to GCA for ongoing stewardship, allowing for more effective control of invasive plants and documentation of species-at-risk across both properties. Garry oak and associated ecosystems are home to over 100 provincially listed species at risk, according to the GCA. 

The parcel on Quadra Hill is another stretch of coastal Douglas-fir forest long identified as a “missing piece” in a corridor of protected habitats, connecting Trincomali Channel to Georgia Strait, known as the Mid-Island Protected Areas Network.  

The ecologically diverse property was listed for sale by a motivated seller in late 2021, according to Paulin, and has been owned for the past two years by the Aqueduct Foundation, one of the largest grantmakers in Canada, which agreed to step in as an interim owner at the GCA’s request, in order to provide temporary protection until adequate funds could be raised to purchase the land for conservation purposes.  

That project was undertaken with the financial support of the Government of Canada through the federal Department of Environment and Climate Change, and an initial opportunity grant from the Islands Trust Conservancy. Further contributions from Sitka Foundation, Habitat Conservation Trust Foundation and private donors enabled GCA to complete the acquisition.   

“The ecological value of Quadra Hill is hard to overstate,” said Paulin. “It is home to rare and varied ecosystems, is part of the upper catchment area for the Great Beaver Swamp Nature Reserve and is important for groundwater recharge.” 

And, according to GCA, because it is surrounded by existing conservation areas and a common-property forest, the protection of Quadra Hill enhances habitat connectivity and supports a diversity of plant and animal communities across three watersheds.  

The Quadra Hill property also plays a role in climate action, according to the GCA, storing an estimated 40,000 tons of carbon dioxide equivalents, and is expected to sequester an additional 8,000 tons over the next 30 years.  

For more information, visit www.galianoconservancy.ca

Homelessness researcher speaks at Mahon Hall

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A University of Toronto professor who has written a book about the issue of homelessness in Canada is the Salt Spring Forum’s guest at an event this Sunday afternoon.

Alison Smith volunteered in a homeless shelter in East Vancouver when she was a graduate student at UBC. Today, she is an associate professor of political science at the University of Toronto, where her research focuses on housing, homelessness, inequality and social protection.

In 2022, Smith published Multiple Barriers: The Multilevel Governance of Homelessness in Canada.

According to the University of Toronto Press, the book “explores the forces that shape intergovernmental and multilevel governance dynamics to help better understand why, despite the best efforts of community and advocacy groups, homelessness remains as persistent as ever.”

“These multilevel dynamics are very apparent on Salt Spring Island,” states the Forum, “making Smith the perfect person to help guide our community toward solutions.”

The Jan. 14 event runs from 3 to 4:30 p.m. at Mahon Hall.

Acclaimed storytelling workshop comes to island

BY KIRSTEN BOLTON

FOR ARTSPRING

They say no matter who we are, what we all have in common is a story to tell and a need to be heard. It’s how we connect. But what makes a great story, and how can you be a better personal storyteller?

Enter Deb Williams, award-winning storyteller, actor, comedienne, playwright, teacher and co-founder/artistic producer of The Flame — Vancouver’s premiere storytelling event — who brings her transformative two-day weekend storytelling workshop to ArtSpring for the first time on Jan. 20-21.

From shy beginners to accomplished public speakers, storytellers of all ages, genders, orientations and cultures are welcome to join what Williams describes as “a joyful, creative and supportive space to learn the foundational rules of effective storytelling.”

For the past 15 years of her 35-year career, Williams has led more than 1,000 storytellers through her workshops in honing the art, craft and structure of creating and presenting compelling stories from life experiences. With practice, tips and encouraging feedback, participants will leave the workshop with several polished and meaningful stories that are entertaining, self-deprecating, heartfelt, unpredictable, healing and community-forming.

Williams acknowledges people arrive with different levels of understanding and skill, and her approach is to quickly determine each student’s expectations for personal and artistic growth. Together, they create criteria for “what makes a great story” and a customized approach.

“One of the reasons I’m so inspired to offer these workshops is I have had shy people arrive nervous, suspicious, thinking they don’t have any interesting stories,” says Williams. “By the end, they have a new confidence and vitality in their ability to shape and share stories about themselves and their lives with family, friends and community. It’s a wonderful, empowering, very human transformation.”

Williams also has a long list of glowing testimonials from professionals who have engaged with the workshop, ranging from published authors and playwrights, PhDs, teachers, psychologists and social workers, theatre actors and directors, TV personalities and even someone looking for tips for his TED Talk. The class is appropriate for anyone where story matters, personally or professionally.

“Some retake the class over and over, choosing to tell their stories on the stage and other storytelling venues,” says Williams. “Many have gone on to create their own touring shows, write memoirs, novels, children’s books, start their own storytelling circles, or incorporate it into their practices. There’s so many different ways to share our stories and be stimulated by things we’ve already done, so you might as well make use of them!”

For people who are seeking a simple weekend of fun or searching to learn a new art form, The Flame Workshop describes itself as a safe place to be vulnerable, embarrassed, laugh, support others and receive encouragement. It has proven to foster connection, new friendships and revitalization, with many participants then setting up local writing or creative groups to continue the communication and exchange.

At the end of the workshop, willing and selected storytellers take to the ArtSpring gallery floor on Jan. 21 to present their perfected stories to family, friends and supporters. Each participant will leave with two to three personal stories of a few minutes long and the skill set to see their lives as story-filled adventures.

This is a two-day workshop. Participants must be able to attend both days (10 a.m. to 4 p.m. each day). Take-home materials provided. Workshop price is $80, plus GST. The performance is set for Jan. 21 at 7:30 p.m. with tickets costing $10.

Register or purchase performance tickets online, in person, or call the box office at 250-537-2102. Space is limited.

Opinion: Blackburn watershed property not appropriate for dog kennel

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By SUSAN DE STEIN

Regarding Trustees chart course for Salty Dog operation (Dec. 20, 2023 Driftwood):

The Salty Dog operation, now with Islands Trust’s blessing, continues to be an affront to its neighbours and to any resident of Salt Spring who values the environment and respects zoning regulations and adherence to the law, including this dog-loving Blackburn Road resident.

Trustees appear to have been influenced by numerous supporters and by what the Driftwood called “star power,” quoting Raffi Cavoukian saying the Salty Dog location on Blackburn Road is an “essential service” and praising the dedication of its staff. Note that this “star” is the partial owner of the property, which strongly suggests his viewpoint is less than objective (and whose pocketbook, too, would be compromised should compliance with bylaws be required). The property owners obviously did a great job of rustling up enough support to leave only a few dry eyes at the meeting.

This property, zoned primarily Rural Watershed 1, was bought and developed by its owners who had to know full well that it was not zoned for a dog kennel, indeed, as few properties on the island are zoned to allow for a dog kennel — and for good reason (barking, neighbours, environmental concerns, etc.).  

Of course, multiple patrons of the operation attended the trustees’ meeting, no doubt at the behest of Salty Dog’s owners. Some ridiculously pointed out the dangers of the island becoming a regime like the totalitarian Soviet Union and yet others quoting the Magna Carta(!). Neighbours have written to trustees with their objections, as I did, but could not attend the meeting. I also wrongly assumed that trustees would err on the side of enforcement and would not tolerate such a blatant disregard for Islands Trust zoning regulations. These letters, including one of mine, a copy of which was provided to the Driftwood, were not quoted in the Driftwood story. None of these objections were cited in the article.

The property itself has been an eyesore since it was purchased, with owners putting in at least two driveways and cutting swaths of trees, then parking trailers and cars on the property and erecting ugly temporary shelters. 

Almost immediately after the local Trust committee’s discussion just before Christmas, the property benefitted from the Trust’s “suspended enforcement,” becoming even more of an encampment, with at least one additional trailer, at least one more port-a-potty, a camp-like area for burning (a fire pit with surrounding chairs), and additional cars, suggesting multiple inhabitants of the property. It is an eyesore to say the least, with debris, trash and derelict (or close to derelict) trailers and cars that never seem to move — all visible from the road on various areas on the lot.

So, I’d like to build a cottage on my rural acres, and I guess I should just go ahead and do that, despite the fact my property is zoned Rural Watershed 1, as is Salty Dog’s, (and I am therefore technically not allowed to have a secondary dwelling). “Ask forgiveness, not permission” seems to be the rule these days. I bet I could easily find a contingent of supporters to attend a rezoning or temporary use permit application hearing to say I’m a model citizen.   

Oh, and what if I’d then like to become a dog rescue operation? Surely my 10-plus fenced acres (which include a little creek that feeds into Cusheon Lake, a source of drinking water) would be ideal. I’d be providing an essential service (think of all those sweet-faced rescue dogs!) and having the cottage to house helpers would help ease homelessness. I could tug on lots of heartstrings to get it both funded and supported by my dog-loving friends.

Surely my neighbours would understand the barking, the traffic and perhaps a port-a-potty or two, and ignore any riparian or watershed issues regarding a sensitive creek. They’d understand, don’t you think?

Celebrated violinist leads Victoria Baroque in concert

By KIRSTEN BOLTON

FOR ARTSPRING

Victoria Baroque returns to ArtSpring for a Saturday, Jan. 13 matinee with new guest director and showcase violinist Aisslinn Nosky, a Vancouver Island-born global phenomenon who The Boston Globe calls “perpetually fabulous” and The Toronto Star calls “a fearsomely powerful musician.”

With her signature fiery energy and splendor, Nosky leads Victoria Baroque in concerti by Bach, Vivaldi, Handel, Telemann and a mesmerizing contemporary piece called Falling Still by Canadian composer Emily Doolittle.

The theme explored in this rich program of music is one of connection: Connection and dialogue between colleagues, between teachers and students, between composers and music lovers, and between the creativity of the natural world and artfulness of human composition. Fittingly, Bach, Vivaldi, Handel and Telemann were all colleagues, students or teachers of each other.

At the centre of this program is the composition from Doolittle, whose creative work and research explores the music-like aspects of animal songs and natural sounds.

Doolittle describes her piece Falling Still as “inspired by hearing a European blackbird sing against a gentle background of early morning rain. There is no birdsong in this piece, however.”

She goes on to say “instead, I was interested in exploring the intersection of two different kinds of beauty; that created by a living being like a bird (represented by the flexible, ever-changing melody of the solo violin), and that which is simply the result of an inanimate process like the weather (represented by the continually repeating chord progression in the strings.)”

Like R.S. Thomas’ poem, Falling Still draws audiences into meditative stillness, open to the natural world and the flow and pressures of history.

Nosky began playing violin at age three and made her solo debut with the CBC Vancouver Orchestra at age eight. She has since captivated audiences around the world with her innovative interpretations and impeccable technique as a soloist, director and conductor with orchestras in Boston, Manitoba, New Zealand, Holland, Tafelmusik Baroque Orchestra and the Niagara Symphony.

In 2011, Nosky was appointed concertmaster of the Handel and Haydn Society of Boston. She is also concertmaster of Bach Akademie Charlotte and has been guest conductor with the Eybler Quartet, which she co-founded. Nosky serves on the faculty of EQ: Evolution of the String Quartet at the Banff Centre for Arts and Creativity. EQ is an intensive summer course for emerging artists that celebrates the lineage of the string quartet, both as a historical genre and as a freshly invigorated practice in the 21st century.

Now in its 13th season, Victoria Baroque presents dynamic, personal and engaging performances of music from the Baroque and Classical periods with explorations of chamber, orchestral, vocal and choral works. Its mission is to bring audiences closer to the sound-world of the 18th century, “embracing the dance-driven rhythmic vitality, as well as the lyrical and conversational aspects, of baroque music.”

Tickets for Saturday’s show are available online and at the box office, including $5 youth tickets and $15 Theatre Angel Tickets, which are now available upon request in person at the box office or by phone.

ArtSpring’s Theatre Angel Program reserves 20 seats per performance at reduced cost for anyone having budgetary barriers to attend the arts. No criteria is required.

Viewpoint: Play cancellation saddens

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The following was sent to the Victoria Belfry Theatre’s artistic director Michael Shamata and executive director Isaac Thomas regarding the cancellation of The Runner play, and filed with the Driftwood.

By HANNAH BROWN

I knew that you would make this decision and I am very sad that a bullying and violent part of our community can have this kind of power. The content of this play did not take a position on what is happening in the Middle East. It presents what happens between people when they are responding to their higher self . . . the part of them that asks them to behave ethically and morally.

The people who have defaced your building with anti-Israel stickers and paint and who are threatening, yelling and protesting in a violent way are not accessing the moral and higher part of their spiritual being. They are committing a crime and not participating in democratic dialogue. They are simply intimidating us. What topic will be next?

I have no answers, at this point in time, only a specific answer for you, which I have outlined below. I feel that there will be more and more hijacking of our democratic institutions and rituals by an unlearned minority that believes that might is right and gets away with it.

Throughout history, “art” has always been a place in which we dialogue and consider a variety of opinions and perspectives. Therefore, since we are deviating from this, we need to state clearly why we are not presenting  a play that actually makes no statement about the Israel/Gaza conflict but is Jewish in content only by its affiliation with Zaka, a non-governmental rescue and recovery organization in Israel, staffed by volunteers. It responds to any emergency in Israel for Bedouins, Christians, Jews or Muslims, and Israel’s population of 9 million people has over 2 million who are not Jewish. We need to clearly state that it is anti-Semitism that has caused this reaction, not the present conflict in the Middle East. We need to say that it is anti-Semitic people who will harm you all and those of us who will attend. Anything other than that is untrue and means we are not speaking clear to this situation . . . at our peril.

My strong request is that you do not put on anything else in The Runner’s place. Let it be a time of mourning for the defacement of our values . . . a period of mourning for the arts, whose job it is to challenge us to think beyond our borders. This would then be a non-violent response to this violent protest . . . a much-loved theatre, our Belfry, that is closed because it was unsafe to present a play that had been chosen. 

Please do not cover your words by saying “further tensions in our community” and “for sharing values that added to our understanding.” There is only one thing to understand: the threat of violence from a very aggressive anti-Semitic minority has brought the closure of this widely acclaimed Canadian play that presents a theme that each of us should consider carefully. In the words of the playwright, Christopher Morris, who is not Jewish, “How do you stay true to yourself and live in a moral way, when circumstances tell you it’d be easier not to?” and “Life is precious and short, so how do you live a good life while you have it?”

I would be glad to write a letter to our community asking them to donate their ticket price for The Runner to the Belfry. As well, I think there are donors who would support this with additional funding. I would be happy to phone them.

GISS presents Alice in Wonderland

The Gulf Islands Secondary School Theatre Company is diving into the new year with an exciting production running this week at ArtSpring.

Students in Grades 10-12 theatre classes will present Alice in Wonderland — a 70-minute show entirely designed and adapted by the students — on Wednesday, Thursday, Friday, Jan. 10, 11 and 12, beginning at 7:30 p.m.

“Come through the Tulgey Woods with us and meet the Tweedles, Humpty, the Cheshire Cat, Caterpillar,  the Mad Hatter and more as Alice finds her way past the Red Queen and with a snicker snack of her vorpal sword she manages to slay more than the Jabberwocky,” states promotional material. 

Tickets are available through the ArtSpring website, or in person at the ArtSpring box office.

Public survey open for emergency support planning

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With the 2023 fire season safely in the rearview mirror, provincial emergency officials are asking for the public’s help to re-tool its approach to supporting people and communities during a crisis. 

The Emergency Support Services (ESS) program is due for an update, according to acting Minister of Emergency Management and Climate Readiness George Heyman, who said this week of about 24,300 households in B.C. who were put under evacuation orders this past summer, more than 7,000 of them accessed support from ESS. 

“Times like last summer are challenging, uncertain and emotional for people, communities and businesses,” said Heyman. “We learned a lot about how we can better support people in the future from experience — and conversations that are ongoing.” 

While thousands evacuated en masse in 2023 due to wildfire, support from ESS can come for smaller events as well; on Salt Spring last August, for example, ESS coordinated with the Red Cross to move and temporarily shelter people displaced by an electrical fire at the Kings Lane supportive housing facility. 

ESS is meant to provide quick, basic short-term support for people impacted by disasters; in an emergency that could include help with temporary lodging and food or more specialized services like emotional support and transportation.  

Officials said the ministry is seeking feedback from evacuees, front-line workers, volunteers, families and businesses about how ESS could be improved; a public survey will be open until Friday, Feb. 9 at: engage.gov.bc.ca/govtogetherbc/engagement/emergency-support-services/

Feedback collected from the survey, coupled with information gathered through extensive engagement, will support the province’s work through the premier’s expert task force on emergencies to make enhancements to ESS prior to the 2024 wildfire season, as well as long-term changes, the ministry said. 

To learn about the ESS program’s Evacuee Registration and Assistance tool, visit ess.gov.bc.ca/.

CRD launches affordable housing AAP

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An initiative to authorize additional borrowing in the name of “affordable, inclusive, and adequate” housing across the Capital Regional District (CRD) will proceed in February — providing 90 per cent of the electorate “votes” by sitting on their hands. 

Officials announced the CRD has begun a regional Alternative Approval Process (AAP), or “counter petition,” seeking voter approval for the Land Assembly, Housing and Land Banking service to increase its borrowing to as much as $85 million to support “future housing partnership opportunities” aimed at increasing the supply of housing.  

Debts would not be incurred immediately, but rather borrowing would begin upon the identification of specific projects — which would then face approval through the CRD’s normal annual budget process. The proposed bylaw also specifically limits the debt servicing cost to a 30-year recovery period, according to officials, and projects would be considered throughout the service area — including Salt Spring Island and the Southern Gulf Islands. 

With 331,905 electors eligible to vote within the CRD, the AAP allows the district’s board to adopt a new borrowing bylaw if less than 10 per cent — or 33,191 people — submit a signed Elector Response Form indicating their opposition.  

And with a threshold of roughly three times the voting population on Salt Spring and the Gulf Islands put together, it’s unlikely the Electoral Areas will have a significant effect on the AAP process, according to Salt Spring Electoral Area CRD director Gary Holman.  

But if the borrowing is approved, Holman said he sees a big upside; a portion of those dollars will be allocated to Electoral Areas, a previously-unavailable “specific pot” of funding to apply for. Holman told Salt Spring’s Local Trust Committee in November that the CRD had already met with the housing minister to request BC Housing match the $85 million on a “two-to-one basis,” and was also approaching the Canada Mortgage and Housing Corporation (CMHC).  

“CRD will be the first agency to put funding on the table,” said Holman, “but I’m optimistic that this will encourage matching funding.” 

If successful, he added, the district would be creating a large fund of a type Salt Spring has historically benefitted from — not unlike the Regional Housing First program that brought matched provincial and CMHC funds to the 54-unit Croftonbrook Islanders Working Against Violence (IWAV) project. 

“Matching funding could also be secured on a project-by-project basis,” said Holman, adding that one non-profit on Salt Spring has already approached all three levels of government regarding an affordable housing project.  

If the counter-petition “fails” and the bylaw proceeds, early estimates by CRD staff indicate an average-value property on Salt Spring would incur a little over $2 per month in borrowing cost, Holman said, should the service reach capacity; costs will however grow gradually, as projects are approved and funded, likely over several years.  

The deadline for submitting signed elector response forms is noon on Monday, Feb. 5. More information about the AAPs, including copies of the elector response form can be found at www.crd.bc.ca/landbanking-aap