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East meets West in Harant odyssey 

SUBMITTED BY ARTSPRING

The life journey of the Czech nobleman, traveller, humanist, soldier, writer and composer Kryštof Harant from Polžice and Bezdružice ended prematurely in the Old Town Square in Prague June 21, 1621, when he was executed for participating in the Protestant Bohemian Revolt.

As an unfortunate consequence, Harant’s artistic legacy was largely lost or rendered incomplete. Today, two internationally renowned ensembles, Constantinople and Cappella Mariana, collaborate to present his surviving compositions and introduce audiences to his literary tradition: his record of a unique trip to the Middle East which he chronicled in his book Journey from Bohemia to the Holy Land, by way of Venice and the Sea published in 1608. 

Harant’s colourful, atmospheric work, narrated by Bill Richardson, will lead listeners on a musical journey to the exotic lands of Cyprus, Jerusalem, Sinai, and Cairo, immersing people in the music of those cultures as he himself had heard it.

“The Odyssey is like a beacon which will act as a guide for both ensembles — a geographical, historical, cultural, and inner voyage of discovery to distant horizons,” says Vojtěch Semerád, director of Cappella Mariana.

Inspired by the ancient city illuminating the East and West, Constantinople was founded in 2001 in Montreal by its artistic director Kiya Tabassian. Over the course of the decade, Constantinople has created nearly 50 works and travelled to more than 263 cities in 55 countries. 

Cappella Mariana was founded in 2008, receiving acclaim from the public and critics alike, as one of the few vocal ensembles focussing on the interpretation of high vocal polyphony, especially from Italian, Flemish and English Renaissance sources. 

Salt Springers will of course recognize Bill Richardson as long-time CBC radio broadcaster, author of the beloved Bachelor Brothers’ Bed and Breakfast, and regular fundraiser on Knowledge Network.

Tickets are now on sale at ArtSpring for the Wednesday, Nov. 30 performance at 7:30 p.m., in which the evocative “intertwining of the Occident and the Orient” will conjure up an unforgettable cross-cultural tale from the recovered pages of history.

Circus and gymnastics join forces in new combined program at the SIMS gym

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When Salt Spring Island Middle School (SIMS) shuttered after the last school year, one might have been forgiven for fearing the curtain was also closing on the island’s renowned circus instruction and performance program practising within its walls. 

No so, according to former Tsunami Circus volunteer administrator and newly minted Salt Spring Island Circus and Gymnastics spokesperson Michelle Bennett. A new partnership with what was Salt Spring Gymnastics — which ran for decades out of Fulford Hall — and access to the gymnasium at the former middle school space has enabled both groups to expand offerings. 

“There is a lot of crossover between gymnastics and circus training,” said Bennett, “and the two disciplines are very complementary. Salt Spring Gymnastics was kind enough to consider joining with us so that we could offer expanded programs for all ages.” 

“All ages” isn’t an exaggeration; preschool gymnastics programs begin at age one, and circus at age six. In addition, there will be adult courses, separate courses for teens, and courses broken out for beginners and the more advanced. 

“So we’ll have programs for kids from age six to 106,” said Bennett. “Whoever wants to join!” 

Bennett said there had been so much demand for circus programming, and with the significant investment in time — and money — setting up rigging at the SIMS space, it’s gratifying to be able to continue to use it. 

“There’s a great deal of engineering and skill involved in all that needs to be done for the aerials,” said Bennett. “Making it happen and making it safe.” 

The new combined program will feature many familiar faces. Bennett said Sarah Robinson will be returning as head gymnastics coach, and several circus coaches are signing back on — as well as a number of talented new members of the combined coaching team. In addition to specialty courses running in four-week sessions — unicycling, hoop, juggling and other circus arts — Salt Spring Island Circus and Gymnastics hopes to offer a hybrid gymnastics/circus class that is accessible to children who might benefit from a smaller lesson size, a quieter room and the flexibility of having a supportive adult join.

“We’d like to hear from the community about what else they might be interested in doing with us, too,” said Bennett, “and from anyone interested in joining the coaching team. We offer training to those who have an interest, even if they don’t have a lot of experience.” 

Bennett said while no longer free of cost, gymnastics and circus classes are eligible for funding through Jumpstart and KidSport.

Families and potential coaches can email: ssicircusandgymnastics@gmail.com and find details soon on the Salt Spring Island Circus and Gymnastics Facebook group page.

BERG, Gordon Martin

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July 22, 1943 – November 3, 2022.

It is with tremendous sadness that we announce the passing of Gordon Martin Berg on November 3, 2022 at the age of 79.

Martin, beloved father and brother, passed away peacefully with family by his side. He will be deeply missed by his daughter, Deanna, brother, Allan (Elaine), sisters, Connie and Ann, as well as niece, nephews, and good friends. He is predeceased by his parents, Elsa and Conrad, and brother, Walter.

Martin was born and raised in North Vancouver. As a young boy, he shared his amazing voice with others by singing in the church choir. He joined the navy and was honoured for having the best kit in his division. After the navy, Martin worked for Canada Post and then for BC Transit. It was as a transit operator that his outgoing, friendly and humorous personality was able to really shine. He greeted each passenger with a smile and enjoyed getting to know the regulars. BC Transit was very fond of Martin because of his outstanding record of safe driving throughout his entire career.

Martin and his ex-wife, Judy, raised their daughter, Deanna, in Burnaby. He was always happy to remind Deanna of funny moments such as the time the baby diaper was no match for her explosive poop. Martin was Deanna’s number one fan, always attending her various games, races, and regattas, no matter the weather. When Deanna started a small business, Martin asked for a stack of business cards and proudly handed them out to people.

Martin vacationed on Salt Spring Island for many years with family and friends, and decided to move there after retirement. He loved crab fishing on the water and especially loved the delicious dinner that followed. He enjoyed island life and the many friends that he made on Salt Spring. Martin eventually moved back to North Vancouver where he cherished being able to regularly get together with family.

A Celebration of Life is being planned for a later date.

Driftwood wins four national newspaper awards

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The Gulf Islands Driftwood was honoured with four top-three awards in a “post-Covid” edition of the Canadian Community Newspaper Awards (CCNA).

The usual national CCNA competitions were not held in 2020 and 2021, but organizing body News Media Canada invited entries for those two years in a fall 2022 event.

Driftwood awards announced Nov. 14 were:

• 1st place for Best Special Section (2020) among entries from papers with a circulation up to 9,999, for the Best of Salt Spring Island 2020;

• 1st place for Best Local Cartoon (2021) among entries from papers with a circulation up to 9,999, for Dennis Parker’s Help Wanted cartoon in the Aug. 18, 2021 Driftwood;

• 2nd place for Best Local Editorial (2021) among entries from papers with a circulation up to 9,999, for Gail Sjuberg’s Stick to the Topic editorial in the Dec. 1, 2021 Driftwood;

• 3rd place for Best Editorial Page (2021) among papers with a circulation from 1,500 to 6,499, for two papers submitted: Feb. 17 and Oct. 13, 2021.

Earlier this year the Driftwood won best overall B.C. newspaper for 2021 in the 3,001 to 4,500 circulation category in the Ma Murray Awards of the B.C. and Yukon Community NewsMedia Association, and third place for community service for its Let’s Pick it Up, Salt Spring campaign.

Canadian music legends explored in two films 

SUBMITTED BY SS FILM FESTIVAL SOCIETY  

Two legendary Canadian music icons are featured in the Salt Spring Film Festival’s “Best of the Fests” monthly film series at ArtSpring, beginning next week.  

Canada’s best-loved poet and troubadour is the subject of Hallelujah: Leonard Cohen, A Journey, A Song. Chronicling the surprisingly inauspicious origins of one of Cohen’s most successful and beloved compositions, which was initially rejected by Cohen’s record label before being recorded by an astonishing 300 artists, this must-see film was recently nominated for the Hollywood Music in Media Award for Best Music Documentary. 

Inspired by Alan Light’s 2012 book The Holy or the Broken and directed by Emmy Award-winning husband-and-wife documentarians Dan Geller and Dayna Goldfine, Hallelujah features interviews with Bob Dylan, Judy Collins, Clive Davis, Brandi Carlile, Eric Church, Regina Spektor and Rufus Wainwright. 

Advance tickets are already sold out for the one-night-only screening at ArtSpring on Nov. 23, although a limited number of secondary seats will be sold at the door starting one hour prior to the 7:30 p.m. screening.  

One of the most widely-recognized and respected Indigenous people on the planet is profiled in the inspiring new documentary Buffy Sainte-Marie: Carry It On, which had its world premiere at the Toronto International Film Festival in September. 

Directed by Madison Thomas — who was recently awarded the Directors Guild of Canada’s Allan King Award for Excellence in Documentary — this intimate retrospective of Sainte-Marie’s personal journey traces the 81-year-old self-taught musician’s groundbreaking career and improbable rise to international fame, and includes rare archival material and interviews with Joni Mitchell, Alanis Obomsawin and Robbie Robertson. 

Taken from her birth parents as an infant and adopted out to an American couple who predicted that she’d never become a successful musician, Sainte-Marie defied the odds by flourishing despite a childhood of dislocation and abuse. Her natural musical ability protected her spirit and propelled her from her birthplace on the Piapot Reserve in Qu’Appelle Valley, Sask., through the folk music coffeehouse scenes of Toronto’s Yorkville and New York’s Greenwich Village, and ultimately to international concert halls and the Academy Awards. 

Sainte-Marie broke new ground when she breastfed her son on television in 1977 during her five-year stint on Sesame Street, and went on to become the first Indigenous person ever to win an Oscar, for co-writing Up Where We Belong, the duet made famous by Jennifer Warnes and Joe Cocker, from Taylor Hackford’s 1982 film An Office and a Gentleman. 

Named Best New Artist the year the Beatles came to America and later blacklisted by American radio stations at the urging of presidents Johnson and Nixon and FBI Director J. Edgar Hoover, Sainte-Marie has relentlessly spoken truth to power while challenging perceptions of Indigenous people in music and popular culture. 

“Sometimes,” she says, “you have to carry the medicine a while before people are ready for it.” 

Tickets for Buffy Sainte-Marie: Carry It On, which screens on Wednesday, Dec. 7 at ArtSpring, are available in person at the box office, by phone at 250-537-2102 and online via artspring.ca

Michael Weiss jazz quartet comes to ArtSpring

SUBMITTED BY ARTSPRING

Jazz fans on Salt Spring are in for a serious treat with the much-anticipated appearance of legendary NYC jazz pianist, composer, educator and band leader Michael Weiss on the ArtSpring stage Nov. 24.

Along with the members of his quartet, Weiss delivers the agility and depth of someone who has enjoyed his four decades of working with such jazz giants as Johnny Griffin, Art Farmer, George Coleman, Wynton Marsalis, Jimmy Heath, Frank Wess, Slide Hampton, The Jazztet, Lou Donaldson, Charles McPherson, Jon Hendricks and the Vanguard Jazz Orchestra.

A true double threat as a dazzling pianist and deeply thoughtful composer, Weiss was recognized early on as a bright light in jazz, winning the BMI Thelonious Monk composer competition and placing second in the Monk International Jazz Piano competition. As a leader, Weiss has headlined at every major New York jazz venue including the Village Vanguard. “He can focus the intensity in a tune as well as any pianist in mainstream jazz,” says the New York Times.

Together with Cory Weeds (tenor saxophone), John Lee (bass), and Jesse Cahill (drums), the Michael Weiss Quartet will perform music from Weiss’ latest album Persistence (2022.) It takes audiences on a jazz journey through four clever originals and four classic standards from the likes of Jimmy Van Heusen, Fats Waller, Thelonious Monk, and Antonio Carlos Jobim. Whatever the combination, The Detroit Free Press reviewed the line-up frankly with “the songs simply smoke.”

One doesn’t have to be an aficionado to take a plunge into this jazz pool. With a couple of Weiss’ original tracks hitting contemporary charts, and inclusive but exciting interpretations of ballads like Only the Lonely and up-tempo swings like Jitterbug Waltz and Monk’s Epistrophy – new and experienced ears alike will perk up to what promises to be both intriguing and unforgettable.

Tickets are still available for Thursday night’s performance at 7:30 p.m., online or at the ArtSpring box office.

Books & Bling drop-off days Nov. 17 to 20; sale on Nov. 25-27

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Pages are turning on one of Salt Spring Island’s most popular events, with Books & Bling donation drop-off days at the Farmers’ Institute this week from Nov. 17 to 20 and the sale itself on Nov. 25-27.

Mary Rose MacLachlan is a Salt Spring Literacy board member and coordinating the donation part of the book sale this year. This is the second year that books will be accepted for the sale in a four-day period the week before, rather than at specific year-round donation events, or bins in financial institutions as happened in years past.

While the amount of work is extra-concentrated with the new method, a phenomenal number of quality books were collected in 2021 and committee members felt it was the preferred way to go.

“I think it worked well, for a few reasons,” said MacLachlan. “Everything was compressed, so it was kind of exhausting, because you had that intense two weeks. But you also didn’t have to keep finding volunteers throughout the summer and fall to collect and sort books.”

(The group has continued to do some home visits for estates or people who are moving when it seems excellent books could be missed if the opportunity is not taken.)

Jewellery can also be dropped off at the same time as the books, although it will be saved for next year’s sale as it takes more time to sort, clean, repair and price jewellery donations, explained Bling committee co-chair Pat Campbell. She and co-chair Wendy Vine have 44 helpers. Bling volunteers have held a number of work bees to process donated jewellery for the 2022 sale and take shifts for set-up and sale days.

Campbell said the sale will have even more jewellery to offer than at the previous six sales, from vintage to costume to designer pieces, as well as precious gems.

“We’ve never had this much jewellery. The community’s been really really generous this year. It’s been unbelievable,” she said.

One example of generosity is a woman who donated all of her mother’s and grandmother’s Birks-quality jewellery, with pieces worth $200 to $300 each.

“If you like pearls we have oodles and oodles of pearls, and we still have a large selection of jewellery donated from the former Frankly Scarlet store,” Campbell said.

There’s a teen and kids’ table, bags of beads for crafters, watches and something for everyone on a Christmas list. Tables are constantly refreshed with new stock throughout the event’s three days.

While the sale has a number of valuable diamond and sapphire rings and earrings this year, Campbell said most of the jewellery is costume jewellery, with prices starting at $2.

Affordability is also a hallmark of the book sale, as MacLachlan explains.

“Where else are you going to get books for a dollar — 50 cents still for the children’s books — or two or three dollars?” she asked. “Even in a secondhand bookstore, you’re not going to find that. And many of them are in such good condition.”

Every imaginable category of book is available and displayed in clearly labelled sections.

MacLachlan is like many bibliophiles who use the sale almost as a “lending library” with a small cost attached.

“I’ll buy about 30 books,” she said. “And then some of them I don’t end up keeping, I just donate them back to the sale again next year.”

“If there’s an author that I’ve never read before, but the book looks interesting, it’s going to cost me $2 to read that book, and it’s going to a good cause, so then why not buy it?”

For real bargain hunters, purchases are made by donation for the last three hours of the sale on Sunday, Nov. 27 from noon to 3 p.m.

Sale hours are 10 a.m. to 4 p.m. Friday-Saturday, Nov. 25-26 and from 10 a.m. to 3 p.m. on the 27th.

One of the thrilling parts of Books & Bling is the treasures that are found; either that perfect piece of jewellery or a unique book.

“You can find some real gems,” said MacLachlan. “There are books in the specials section that are either potentially first editions, or just really cool books that have been out of print but are in great condition.”

Volunteers for collection, set-up and sale days are welcomed for the book sale. See the saltspringliteracy.org/books-and-bling/ website for sign-up information.

The book sale was established by the former Salt Spring Community Education Society in 2007, and that group passed the torch to Salt Spring Literacy in 2013. The jewellery sale was added in 2015.

Rainbow Road sandbag filling station makes debut

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After receiving an early preview of winter rain, Salt Spring residents decided to prepare for the next storm in advance. 

Dozens of islanders turned out to the new community sandbag filling station, above the community gardens at the Rainbow Road pool site, on Saturday, Nov. 12. The station was a coordinated effort by the Salt Spring Emergency Program, Salt Spring Island Fire Rescue, Emergency Management BC and the Salt Spring Island Parks and Recreation Commission — and offered free sand and sandbags, and made shovels available, along with “shockingly comfortable” gloves.  

“We brought in some supplies last year during the atmospheric river, but didn’t deploy them,” said John Wakefield, Salt Spring Emergency Program coordinator. “We wanted to be pre-emptive this year for folks so they’re ready; it’s not the kind of thing you want to be doing in the middle of the incident.” 

According to Wakefield, 42 people came out and filled 314 sandbags — a total of four yards of shoveled sand — before the station closed. Several people at the Saturday event said they were preparing after having experienced flood damage last year. 

“Our road was completely destroyed,” said Mario McInally, who lives on Devine Drive. “A couple of driveways washed away.” 

Typically for a community the size of Salt Spring, Wakefield said, the standard was to have several thousand bags on hand for an emergency scenario. For large-scale emergencies, machines can be deployed to assist with the bagging process. 

“This is our first time doing it this way,” said Wakefield, “so we want to see how it goes and if there’s a demand.” 

The Rainbow Road sandbag filling station will generally be open just for specific events like this one, he added, and when threatening weather — such as a “pineapple express,” a familiar kind of atmospheric river — appears in the forecast, an announcement will be made and it will re-open. 

“This will be the station, at least for the foreseeable future,” said Wakefield. “All these departments need to collaborate to make these things come together, so big thanks to PARC and the parks staff, they’ve been great to work with.” 

For more information about flood preparedness, visit the ow.ly/6Zrr30qoMJV website. To sign up to receive alerts in the event of an emergency, join the CRD public alert notification system: www.crd.bc.ca/pans.

Biochar activities heating up on Salt Spring

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It’s such an elegant solution — and to such relatable island problems — it’s hard to imagine it not catching on.  

Over a coffee on a grey afternoon, and still chilled from a damp bicycle ride into town, Brian Smallshaw leans in as we discuss how to best frame a discussion about biochar on Salt Spring.  

“It’s small-scale carbon sequestration,” he says. 

“Boutique?” I suggest. 

“Artisanal!” he laughs. 

Understanding biochar isn’t difficult, thankfully — it’s just charcoal, incompletely burned wood produced in a low-oxygen environment. There is, of course, a rich history of charcoal here in the Gulf Islands; pit kilns have been found on nearly every island, and most in Ganges know of the two in Mouat Park built by Isaburo Tasaka in the early 1900s. 

But the Biochar Working Group — led by Smallshaw, and part of Transition Salt Spring — is aiming for more than just producing cooking fuel. Smallshaw has been experimenting with special portable open-topped kilns, designed to turn our yard waste into charcoal— and solve a dilemma faced by thoughtful neighbours after every storm. 

“You get all the branches and stuff that comes down in winter storms,” says Smallshaw. “And what do you do with it all?” 

The usual solution, of piling it up and setting it ablaze, is a smoky endeavour that can irritate neighbours — and their lungs. Wood chippers are loud, burn fossil fuels and need a fair bit of maintenance. Those are fine measures for some situations, according to Smallshaw, but if all that feels a little wasteful, it’s because it is. 

“From my point of view, as somebody who’s been using biochar, it’s a waste of resources,” he says. “You’ve got something that you could turn into a something useful for your garden, for your fruit trees, instead of burning it up and sending it all up the atmosphere.” 

And there it is, the real rabbit in biochar’s hat: a carbon sequestration process you can touch and feel, and actually get on your fingers. Burning wood to ash sends practically all of its carbon potential into the air; letting it decompose on the ground over decades eventually produces the same result. But halt the process, and you keep a large fraction of that carbon in the biochar. It’s incredibly stable — more or less pure carbon — and tends to stay right where you put it. 

Smallshaw, naturally, recommends putting it in your dirt. 

“Biochar is charcoal, but for soil amendment purposes,” he says, “charcoal that you’re going to put into the ground to make your garden grow better, or around your fruit trees.” 

It was European settlers in the Amazon basin who stumbled across how wonderful charcoal-amended soil was, Smallshaw says; in a region particularly known for poor crops, they found distinct “islands” of high fertility where their plants were flourishing. 

“The Portuguese who were there referred to those areas of ‘dark soils,’ and for the longest time, they didn’t understand why these places existed, or why they were so good for cultivating crops,” he says. “Eventually they learned the Indigenous farmers had cleared an area, making a huge pit where they would pile up and burn organic material; days or weeks later they would put the fire out with dirt, and plant crops on top of it.” 

The charcoal they created remained in that soil for centuries — like a permanent fertilizer, says Smallshaw. There are several reasons why it seems to work so well — biochar improves water retention, helping regulate moisture in areas that get big rains and long dry spells, and charcoal has millions of tiny crevices and cavities where beneficial microbes thrive.  

Back on Salt Spring, Smallshaw’s kilns create a little ash alongside the biochar in their process — it’s unavoidable, you won’t get much charcoal out of leaves and tiny branches — but that seems helpful, too. In small amounts, ash has a proven track record in “sweetening” soil, changing the pH to make it less acidic.  

But the charcoal is the thing. Smallshaw describes his kilns as having an optimal design for ease of use and yield working with post-storm yard debris. The inverted pyramid shape creates airflow from the top, creating very hot, very tall and quite narrow flames. The heat from the walls is kept off the ground, reducing the chance of igniting nearby roots, and reflects back into the fire to aid combustion and reduce smoke. As woody debris is added to the top, it gradually halts combustion of material on the bottom, and — done properly, Smallshaw hosts workshops — eventually leads to a kiln full of biochar. 

The final party trick: Smallshaw’s kilns have a hose attachment. When the kiln is full, you turn on the water and flood the compartment from the bottom, completely putting out the fire.  

There are more than 20 of these kilns in private hands across Salt Spring Island, according to Smallshaw, and the Biochar Working Group just received a Salt Spring Island Foundation grant to deploy three for public use — and that’s just a beginning, he says. 

“What I’d like to do is have one in every neighbourhood,” says Smallshaw, “so people could borrow the neighbourhood kiln for a week, bring it home and make some biochar, then bring it back.” 

A pilot program is looking for hosts. Smallshaw said anyone interested in “adopting” a kiln and helping administer the process of loaning it out should contact him via email at b@pixelmap.ca.

Woodwind quintet from Québec ready to thrill at ArtSpring

The Montreal musical ensemble Pentaèdre — which is a French nod to the words “polyhydron,” “penta” or “five faces” — indeed features five talented performers expertly wielding their woodwinds in this concert centred around the universe of Johann Sebastian Bach.

The group returns to Salt Spring for the first time since 2012 on Monday, Nov. 21.

The quintet, led by young flutist and artistic director Ariane Brisson, demonstrates not only the virtuosity of its five brilliant musicians but the great variety of colours and atmospheres the flute, oboe, clarinet, horn, and bassoon can create together. Kicking off with Bach’s 17th century Toccata and Fugue in c minor, they tackle a piece that has been described as a veritable “toe tapper” with dazzling “octave leaps and scalar runs.”

Audiences are then moved into amorous arias from Mozart’s Magic Flute opera; Mshkodeng, composed by Odawa First Nation Barbara Assiginaak; and American composer David Maslanka’s Quintet No. 3, directly inspired by a Bach choral, to complete this accessible and lively program.

The group was founded in 1985 and has seen several personnel changes over the years. The performers who will be appearing at ArtSpring are an acclaimed lineup. Brisson was first invited to join the ensemble in 2016. Only a couple of years ago, she was selected as one of CBC’s “30 Hot Classical Musicians Under 30,” and she regularly performs in orchestras and as a soloist around the world.

Elise Poulin (oboe) has played throughout Quebec and is also an English horn player. Clarinetist Martin Carpentier is another highly sought-after musician and performed on Salt Spring in 2012. Horn player Louis-Philippe Marsolais has a particular interest in contemporary music and often premieres new works by international composers. Mathieu Lussier (bassoon) was also here in 2012. Since then, he has undertaken artistic director positions with orchestras and music festivals, travelling throughout North and South America and Europe.

The Nov. 21 concert begins at 7:30 p.m.

Tickets are available through ArtSpring.