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No Ivy League helpers welcomed

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English ivy proliferating in Mouat Park is in the sights of islanders concerned about invasive species impact, with a No Ivy League project now underway.

Members of the Native Plant Stewardship Group (NPSG) invite others to come to the park on the last Tuesday and/or the first Saturday of each month to remove ivy.

“This is an ongoing process, but we’ll start slow and easy,” said Anne McKague, an NPSG member and the project’s initiator, who couldn’t help noticing how much ivy was growing in the park when she was walking there.

The first two days saw people participate from about 10 a.m. to noon.

“We can’t hope to eradicate ivy, but we can stop further spreading and we can relieve the poor trees that are currently supporting the ivy intrusion,” said McKague.

People should wear gloves and bring secateurs or pruning saws, if possible, she said.

The removed ivy is being given to island goats, and weavers are welcome to the vines as well. People can contact her about acquiring the culled ivy at anne.mckague@gmail.com.

The NPSG is part of the Transition Salt Spring organization.

Similar ivy “interventions” are occurring up and down the northwest coast, said McKague.

According to invasive.org, English ivy (Hedera helix) is “an aggressive invader that threatens all vegetation levels of forested and open areas, growing along the ground as well as into the forest canopy. Vines climbing up tree trunks spread out and envelop branches and twigs, blocking sunlight from reaching the host tree’s foliage, thereby impeding photosynthesis. An infested tree will exhibit decline for several to many years before it dies. The added weight of vines also makes trees susceptible to blowing over during storms.”

Editorial: Learn to lay in

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There’s nothing like a little snow to get islanders back into thinking about emergency preparedness — however we care to define “emergency.”

Thankfully, our island communities have well-formed plans for responding to those in need during short-term extreme weather events. We recently highlighted the Salt Spring and Southern Gulf Islands’ emergency programs and pods in our sister publication, Aqua, where a common theme among organizers was that in our “remote” communities, all of us must take more responsibility for our own wellbeing, and for our neighbours’. 

So in a longer-term event, after our 72-hour emergency kits and grocery shelves start to thin out, what then? 

It takes only a casual look back toward the early days of the pandemic — or forward toward the potential impacts of uncertain international trade — to show the value of building some self-reliance into emergency planning. In this regard we applaud the growing Neighbours Feeding Neighbours (NFN) program, linking neighbourhoods and emergency pods with Salt Spring’s food security enthusiasts — local farmers, backyard gardeners, market sellers and community organizers — to increase the island’s resilience to the sort of events that disrupt our “normal” supply chain. NFN, alongside the Farmland Trust, works to increase capacity and connectivity through networking and education about food production, storage and preservation.  

Everyone can visit nfnsaltspring.org and ssifarmlandtrust.org/foodshare to learn more about emergency food preparedness and explore upcoming workshops. And the door is always open for people who want to get involved with the Salt Spring Island Emergency Program — reach out to SSIEPC@crd.bc.ca to connect with, expand or even lead your neighbourhood pod. Pender, Galiano, Saturna and Mayne residents can send an email to SGIEPC@crd.bc.ca

And if the most dire forecasts fail to materialize, the worst that could be said was that we grew our community connections, learned more about our local food producers and picked up an invaluable skill or two.  

Pico’s Puppet Palace highlights Family Day

SUBMITTED BY SALT SPRING ARTS

Celebrate BC Family Day on Monday, Feb. 17 with a free celebration for local kids and families to enjoy at Mahon Hall. This year, Salt Spring Arts is thrilled to present two sessions of their annual event. The highlight of each session is a performance by Pico’s Puppet Palace, blending puppetry, live music and mesmerizing storytelling.

Doors open at 10 a.m. for the morning session and at 2 p.m. for the afternoon session. Before the main event, families can enjoy a variety of activities, including crafts, face painting and a photo booth. These fun-filled pre-show experiences set the stage for the main attraction: a dynamic production of Pico & the Golden Lagoon. Attendance is free or by donation, but advance registration is required.

Pico’s Puppet Palace, brought to life by creators Sally Miller and Jesse Hamilton, is celebrated globally for enchanting young audiences with its vibrant puppets and fostering intergenerational connections. Each production is crafted using sustainable materials, reflecting a strong commitment to ecological awareness and environmental themes.

In Pico & the Golden Lagoon, audiences will join Pico as she soars around the world in her iconic yellow bi-plane. After an unplanned landing on a mysterious island, Pico encounters David, a devoted naturalist, and Lou, a friendly dragon who lives near a sparkling lagoon. The story is rich with themes of bravery, friendship and environmental stewardship.

Since 2015, Salt Spring Arts has been hosting this annual community event to bring families together in celebration of arts and culture during the provincial holiday.

Don’t miss the opportunity to create cherished memories with your loved ones this year. Secure your family’s spot today by registering in advance. Learn more at saltspringarts.com.

LCC shaves budget to 10% hike

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Salt Spring’s Local Community Commission (LCC) members have brought an initial 13.2 per cent 2025 requisition increase for Capital Regional District (CRD) services down to 10 per cent, following a lengthy Jan. 30 meeting.

LCC services account for not quite half of a proposed $9.2-million requisition for Salt Spring CRD and Capital Regional Housing District services.

And if the cost of local government initiatives have often been equated to cups of coffee, commissioners’ efforts yielded a large latte — about $6.65 in savings — for the owner of an average-assessed residence.

The first part of their job was already made easier by a $40,000 reduction in transit costs thanks to BC Transit. But a further $69,000 in budget cutting was narrowly approved through a review of the 14 services under LCC purview. Proposals to cut funding came through motions put forward mainly by commissioner and CRD director Gary Holman, and not all of them were approved.

It was observed by commissioner Brian Webster at the beginning of the exercise that a $10,000 cut would reduce by $1.50 the property tax bill for the owner of an average-assessed residence, so hardly seemed worth the effort.

He said the LCC risked staying on a “requisition roller coaster” where failing to put enough money into its reserves one year resulted in pressure to hike taxes in subsequent years.

“I think the roller coaster is a bad thing for us to be on. We’re on it. We’ve got to get off. That takes some courage on our part . . . .”

Holman responded that “It’s not a matter of courage . . . it’s a matter of respect for taxpayers,” adding that the LCC will also be needing voter approval for three upcoming projects related to the pool, Salt Spring Island Multi Space roof and the Burgoyne liquid waste site.

He said even a 10 per cent requisition was three times the inflation rate, “and we are contributing to it.”

At the same meeting commissioners voted to keep the universal washroom at Centennial Park open until midnight on a one-year trial basis, at an additional cost of $5,000, which includes an expenditure for improved lighting in the area.

Keenlyside Quartet plays Time Out

By KIRSTEN BOLTON

FOR ARTSPRING

Dave Brubeck’s game-changing 1959 album Time Out is an American masterpiece of “west coast cool jazz” that resonates to this day. The odd time signatures, improvised counterpoint and innovative tempos of his quartet’s work sound as fresh and hip today as they did then.

The sound was known for Paul Desmond’s poetic alto saxophone. Blended with Brubeck’s muscular piano playing and the driving rhythm section of Eugene Wright, bass, and Joe Morello, drums, the musical totality is flawless.

On Thursday, Feb. 13 at 7:30 p.m. at ArtSpring, just in time for Valentine’s Day, the Tom Keenlyside Quartet plays the entire iconic Time Out album live, along with other Brubeck gems, to the delight of classic jazz enthusiasts and those who are jazz curious.

With a musical career spanning six decades, jazz flutist and saxophonist Keenlyside has been called a “Canadian jazz legend” and “a musician’s musician.” He has performed and recorded with dozens of international artists, from Diana Krall, Harry Connick Jr. and Dizzy Gillespie to Gord Downie, Michael Bublé and Oscar Peterson.

Inducted into the B.C. Entertainment Hall of Fame in 2006, Vancouver-born Keenlyside distinctly remembers the morning he was 13 years old and ascended his friend Tony’s stairs to meet him for another amble to school in 1964. The front door was open, and Tony’s mother was playing a record: Time Out by the Dave Brubeck Quartet.

“From its first saxophone notes, I was instantly hooked,” said Keenlyside. “I knew in that moment that music was what I was going to do for the rest of my life, though I had no idea if it would generate an income.”

Flash forward and, judging by all accounts, his instincts were correct. Keenlyside leads his all-star Juno-nominated band — including legendary Miles Black on piano, Miles Hill on bass and Dave Robbins on drums — through all the swing standards of the day in this night of unforgettably catchy jazz.

Brubeck was designated a “Living Legend” by the Library of Congress. After early appearances on college campuses in the ‘50s and ‘60s and appearing in jazz clubs with Duke Ellington, Ella Fitzgerald and Charlie Parker, it came as a surprise that his experimental Time Out would emerge as the first jazz album to sell over one million copies. It continues to be performed live and appear on jukeboxes throughout the world.

Thank you to Victoria Olchowecki for sponsoring this performance.

Tickets are going fast and can be purchased through ArtSpring, online and at the box office.

Mields and Weimann present songs of love

SUBMITTED BY SALT SPRING BAROQUE

Salt Spring Baroque is starting its 2025 season on Wednesday, Feb. 12 with German soprano Dorothee Mields and Vancouver harpsichordist Alexander Weimann in Love, Hope, and Heaven on Earth, a fascinating program of beautiful songs on the deeply human subjects of life and love.

The program opens with A Solis Ortus Cardine by Celius Sedulius (circa 450), a Gregorian chant where each verse begins with a consecutive letter of the Latin alphabet, making the poem an “abecedarius.”

The program then moves into baroque works by composers of the late 16th and 17th centuries, including two songs by Barbara Strozzi, said to be the most prolific composer — man or woman — of printed secular vocal music in Venice in the middle of the 17th century. Salt Spring’s Clark Saunders will read texts and poetry that underscore the themes presented in the songs, including biblical texts, and poetry by Alfred Lord Tennyson, Pablo Neruda, Margaret Atwood and Billy Collins.

Mields is one of the world’s leading interpreters of 17th- and 18th-century music and is beloved by audiences and critics alike for her unique timbre and moving interpretations. She appears regularly with the Collegium Vocale Gent, Netherlands Bach Society, L’Orfeo Barockorchester, Freiburger Barockorchester, RIAS Kammerchor, Bach Collegium Japan, Orchestra of the 18th Century, Lautten Compagney Berlin, Tafelmusik Baroque Orchestra Toronto, The English Concert and Klangforum Wien.

She has an increasingly wide discography, featuring many award-winning recordings, including her solo album La Dolce Vita, and War & Peace — 1618:1918 with the Lautten Compagney, which won the Opus Klassik in 2019.

Weimann is one of the most sought-after ensemble directors, soloists and chamber music partners of his generation. After travelling the world with ensembles like Tragicomedia, Cantus Cölln, the Freiburger Barockorchester, the Gesualdo Consort and Tafelmusik, he now focuses on his activities as artistic director of the Pacific Baroque Orchestra in Vancouver. He also teaches at the University of British Columbia where he directs UBC’s Baroque Orchestra Mentorship Program.

The Feb. 12 concert begins at 7 p.m. at Salt Spring Island United Church on Hereford Avenue.

Tickets and more information about Salt Spring Baroque and the performance are available at saltspringbaroque.com.

NSSWD sets new hookup policy

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On Monday, March 31, staff at the North Salt Spring Waterworks District (NSSWD) will open their doors and do something they haven’t done for more than a decade: accept applications for new connections. 

Those hookups won’t be available everywhere within the island’s largest water district — requests will only be heard for those served by the Maxwell Lake part of the system — and there will be more paperwork than prospective water users might remember from back before the moratorium on new connections began in 2014.  

But the district’s board approved its new policy Thursday, Jan. 30, clearing the way for what could be hundreds of new connection requests — up to, according to the revised policy, 50,000 cubic metres of water annually in total, which staff have noted is the equivalent of roughly 300 multi-unit dwellings’ use. 

And, at least from the water district’s part of the process, new connections will be approved on a first-come, first-served basis, since NSSWD has no authority to approve or deny applications based on what kind of housing is being serviced. 

“I wish from the bottom of my heart that we had some way of [specifying] ‘people who have cottages and illegal suites,’” said NSSWD trustee Sandra Ungerson, “of getting the connections that they need for those units, and getting assisted housing closer to the front of the line. But I understand, we’re legislatively tied. This is just me on my soapbox.” 

Part of the new application policy also involves completion of a new water service connection application form, as well as submission of a detailed design of whatever proposed property changes would require the new connection –– two “great steps” for the district, according to chief administrative officer Mark Boysen, who said the detailed drawing component in particular was something NSSWD staff and those at the Capital Regional District (CRD) building permit department had been discussing at length. 

“What we approve has to be the same thing that the CRD approves,” said Boysen. “And that goes for the Islands Trust approval as well.” 

NSSWD’s infrastructure comprises two separate water systems, which get supply from two lakes — Maxwell and St. Mary — serving what the district said is some 1,850 water connections and approximately 5,500 users. After an extensive new supply reliability assessment, consultants and district staff concluded last year the modelling supported adding more connections on the Maxwell Lake side. 

Despite the upcoming weir-raising on St. Mary Lake at Duck Creek — a $10-million project being funded by the province — the same modelling also indicated that the northern section of NSSWD’s system will be hard-pressed to support its existing connection commitments with high reliability every year. 

Notably, while the moratorium remaining in place for the St. Mary side of the water system explicitly notes that applications for secondary structures on properties already served by the district would be denied, no such restrictions exist within the new policy for the potential new connections on the Maxwell side. 

“Except for land use,” said financial officer Tammy Lannan, referring to authority held by the Islands Trust. “Land use would restrict the applicant from getting water for something they technically can’t build. But if they’re allowed a secondary suite, we have no limitations –– besides the 300 connections or 50,000 cubic metres.” 

For context on that 50,000 cubic metres, board chair Brian Pyper looked back to compare the potential future water use to what took place in the days before water restrictions, or even rate structures.  

In recent years, Pyper said, the Maxwell Lake side of the system has delivered roughly 220,000 cubic metres to customers annually. 

“Back in a period of 2010-2013, when we had water leaking out of the Shepherd Hill tanks at a considerable rate,” chuckled Pyper, “we were at an average usage of over 330,000 cubic metres. What I’m trying to place into context here is this additional capacity that we’re adding to our current capacity is still substantially lower than what Maxwell Lake was quite easily supporting.” 

Trustees had discussed having a two-year limit on new connections, instead opting for a system of constant review — a quarterly connections reporting process, for the board to regularly assess the status of the system’s capacity — and explicitly naming that 50,000 cubic metres as a hard cap. 

“We are trying to be cautious and responsible in this partial moratorium lift,” said Pyper. “It’s an important moment for us; it’s taken a lot of time and, I think, good work to get here.” 

A number of system improvement projects — including the completion of the new Maxwell Lake treatment plant and a shared-water-supply connection joining it with the St. Mary side — could have potential benefits for improved supply across the district, according to a public release; those improvements are scheduled for completion by 2027. 

For more information on the moratorium review and upcoming projects, visit northsaltspringwaterworks.ca.

Driftwood delayed until Thursday due to snow

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The Feb. 5 edition of the Gulf Islands Driftwood newspaper will be available one day late due to this week’s snowfall.

The paper is normally picked up from the press in the Lower Mainland on Tuesdays for distribution on Wednesdays. Unsafe driving conditions prompted a decision to delay pick-up by one day.

Subscribers to the digital edition will still be able to access Wednesday’s paper at the usual early morning time.

Several stories that appear in the paper will also be available on this website.

Passionate string quartet performs

SUBMITTED BY KIRSTEN BOLTON

FOR ARTSPRING

One of the most dynamic and exciting world-class ensembles of its generation, Vancouver-based Borealis String Quartet has received international critical acclaim for its fiery performances, passionate style and refined musical interpretation.

Founded in 2000, Borealis has toured extensively in North America, Europe and Asia, and performed at the Vancouver Olympics, on television, at Parliament Hill and international festivals with its signature synergy of classical, fusion, folk and world music.

The group performs at ArtSpring on Saturday, Feb. 8 at 7:30 p.m.

What makes this ensemble unique, in addition to each member’s virtuoso musicianship, is the quartet’s passion to stretch the boundaries of the classical string quartet and transform the chamber music concert experience itself.

To this end, Borealis often includes popular music for younger generations, videos and cameras to enrich the visual presentation, as well as speaking from the stage to better engage audiences. The effort has attracted new audiences to the concert hall to discover chamber music, sometimes for the first time.

In that same spirit of outreach, since 2006, Borealis has worked with the Health Arts Society performing “Concerts In Care” programs for many people isolated in residential care without the opportunity to hear a rich live performance. This past season alone, the quartet performed over 100 concerts throughout British Columbia in a Beethoven Project with Health Arts Society.

Borealis has recorded seven CDs which feature the great classics as well as music written especially for the quartet. This includes folk song and lullaby albums comprised of songs from around the world. Others feature original works by Beethoven, Schubert, Mendelssohn, Grieg and Respighi.

On his way back from Australia last week, violinist Yuel Yawney communicated what ArtSpring audiences could expect from the program on Feb. 8.

“We are very much looking forward to coming to Salt Spring Island,” said Yawney. “For the program, we will be performing music by Canadian composer Michael Conway Baker, his Aurora String Quartet especially written for us, Shostakovich’s String Quartet No. 8 and Grieg’s String Quartet in G minor, Op . 27.”

Described by The Globe and Mail as “four B.C. musicians who practically fly out of their chairs, so vigorous and physical is their playing,” the ensemble is comprised of Yawney, Patricia Shih, also violin, Nikita Pogrebnoy, viola, and Sungyong Lim, cello.

Tickets are available through ArtSpring.

PATTERSON, Ijah

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In loving memory of our dearly beloved and now departed son Ijah.

Ijah is incredibly cherished and missed by his father, mother, sister, grandparents, uncles, aunts, cousins, teenage second cousins, and friends.

Ijah N. Patterson was born at home in Gibsons, B.C. on Sept. 19, 2007 to Iwah Patterson and Shareen Archibald.

He was raised and nurtured on Saltspring Island, which he loved, from the age of 1 yr.

Surely he will be remembered by B.C. community members, as well as those in Hawaii and Oregon where he spent time, as a vibrant, creative, light filled child that engaged and delighted the hearts of many. Ijah made an impact on all who met him, and those who truly knew him loved him and felt his love for them.

Ijah had challenges as a youth but had recently devoted himself to moving forward in redemption of those difficulties. In a transcendent manner he extended himself in exceeding gestures of warmth, tenderness, and appreciation to those around him and made plans to better his life in so many ways.

This is his legacy and what comforts us now.

Mahalo nui loa Ijah. Aloha ‘oe