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Cathy Roland speaks on Hawaiian history

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The Salt Spring Historical Society (SSHS) is pleased to welcome back — by popular demand — singer and family historian Cathy Roland (aka Auntie Kate) to speak about Hawaiian history on Salt Spring Island and the B.C. coast. 

As a child, Roland listened deeply to the stories of her uncle Paul Roland, sparking a lifelong interest in her Hawaiian-Salish family lineage. Her great-great-grandfather Naukana (aka “John Coxe” Naukana) came to the West Coast from Hawaii in 1811 with American and British fur traders who were setting up colonies here at that time. These Hawaiian men were sent by Hawaiian King Kamehameha with a contract to help establish the early trading posts and they became some of the earliest settlers in B.C.  — and the rest is truly fascinating history.

The event is on Saturday, Nov. 23 at 2 p.m. in the library’s program room.

It’s time to purchase or renew SSHS memberships, which are open to all and cost only $15 per year. Paying online is a preferred option with etransfer to internal@saltspringarchives.com, but payment of cash at the door is also available. 

Traditional African and chamber music meets

A Salt Spring audience can enjoy a  groundbreaking concert series — African Chamber Music: Zimbabwean, South African, and Ghanaian Traditions Reimagined with Strings — co-presented by Time Will Tell Arts Society and Caravan World Rhythms.

The unique performance will take place on Saturday, Nov. 30 at ArtSpring beginning at 7:30 p.m.

This innovative project aims to showcase the lesser-known, reflective side of African music, moving beyond its famous rhythms and dances. By presenting traditional African music in a chamber setting with a string quartet, we’re expanding the way audiences experience these rich cultures. This concert not only celebrates African musical heritage but also invites a rethinking of the string quartet’s role, addressing its historical ties to colonialism and promoting a more inclusive musical landscape.

The repertoire features the soulful mbira songs from Zimbabwe’s Shona people, the enchanting vocal traditions of Ghana’s Ewe community, and the ancient, rare bow music of South Africa’s Xhosa culture. Our talented artists include Kurai Mubaiwa (mbira, voice, percussion) from Zimbabwe, Kofi Gbolonyo (voice, percussion) from Ghana and Dizu Plaatjies (uhadi, umrhube, percussion, voice) from South Africa. Each has an impressive background, performing on stages around the globe and deeply rooted in their musical traditions.

The vibrant pieces are arranged by Curtis Andrews, a seasoned musician who has dedicated over 20 years to studying and performing African music in North America and in various African countries. The concert will also feature a skilled string quartet, including Meredith Bates (viola), Peggy Lee (cello), Parmela Attariwala (viola) and Joshua Zubot (violin).

Of special note is the presence of Dizu Mzikantu Plaatjies, who is coming all the way from Cape Town, South Africa for this project under the auspices of a Canada Council for the Arts grant. Plaatjies has been a mainstay of traditional African music in Southern Africa for over 40 years and has been instrumental in promoting various indigenous musical bows and their performers.

People will discover the captivating sounds of the mbira, an ancient instrument with a rich history in Zimbabwe, traditionally used to connect with ancestral spirits. Once nearly lost due to colonial suppression, the mbira is now experiencing a powerful revival.

Audience members can delve into the mesmerizing vocal music of the Ewe, known for its complex rhythms and profound cultural significance, and explore the rare bow music of the Xhosa, highlighting the rich heritage of these instruments, which are primarily played by women in their communities.

The concerts lets people experience African music in a fresh and inspiring way. Join us for a celebration of culture, history and creativity that promises to engage and delight.

Tickets are available through ArtSpring, online and at the box office.

Holiday season events begin

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Seasonal celebrations kick off with a special advent ceremony on Tuesday, Nov. 26, followed by island fairs at the turning of the month.

The 40th Annual Celebration of Light event runs at Salt Spring Centre on Tuesday beginning at 6 p.m. People wanting to walk the spiral path of stars and cedar boughs as songs of light and peace are sung are asked to RSVP to info@saltspringcentreschool.ca.

On Saturday, Nov. 30, Salt Spring United Church’s biggest fundraiser — Winterfaire — runs from 10 a.m. to 2 p.m. at the church’s Hereford Avenue location in Ganges. It features shopping upstairs and down, for “handicrafts, tasteful treasures, jewelry, winter greens, Christmas cakes, baking and preserves,” all surrounded by live festive music and with light from the stained glass windows created by the late longtime islander Jack Clements. 

A silent auction and all-day cafe, for a hot cuppa and muffin or treat, plus lunch of authentic tourtieres or vegan/gluten-free chili, highlight the Winterfaire, proceeds of which enable the church to continue its work on Salt Spring and beyond. 

That weekend sees craft fairs galore: on Saturday-Sunday, Nov. 30 and Dec. 1, there’s the Holiday Market at SIMS, the Fulford Artisan Christmas Fair and the Beaver Point Christmas Craft Fair, with another at Lions Hall from Friday, Nov. 29 through Sunday, Dec. 1.  

To get a jump on your holiday spirit, Salt Spring’s Little Red Schoolhouse will hold a fundraising Holiday Fair event at Beaver Point Hall from 10 a.m. to 1 p.m. Sunday, Nov. 24, and the Anglican Parish Christmas Bazaar is this Saturday, Nov. 23 from 10 a.m. to 2 p.m. at All Saints by-the-Sea. 

And if lights are your thing, don’t miss Ganges’ official light-up at Centennial Park Friday, Nov. 29, from 4:30 to 5:30 p.m. — with live music from Viva Chorale! and a magical performance by some Christmas With Scrooge cast members.  

Visit gulfislandevents.com for more details about holiday events happening on all of the islands.   

Catalyst Grant artists announced

The first 16 winners of an innovative new arts granting program funded by the Salt Spring-based Wilding Foundation — the Catalyst Grants — were announced on Friday, Nov. 15.

Administered in partnership with the Salt Spring National Art Prize (SSNAP) Society, the foundation has committed $100,000 per year to the program for at least the next three years. First announced in August, some 45 applications from the Southern Gulf Islands and area First Nations were received by the Oct. 1 deadline.

Winners are: Margaret August, Leo Chan, Veronica Classen, Anna Gustafson, Eli Horn, Ari Lazer, Bob Leatherbarrow, Cheryl Long, Liljana Martin, Terri Potratz, Lexane Rousseau, Andrea Russell, Jeannette Sirois, Anna Karolina Szul, Satya Underhill and April Winter.

Jurors were Helga Pakasaar, Sophia Burke, Camille Georgeson-Usher and Jesse Birch, along with the foundation’s Ethan Wilding, a Salt Spring resident for the past five years. He explained that he wants the grants program to give artists the funds they need to complete artworks.

“I was getting quite a few requests for just little donations here and there to help people finish their art projects, and so I thought, ‘Let’s do this on a much larger scale and get money into the hands of many more artists,’ and that’s what we’re on the path to doing.”

Wilding said the aim is “to close that gap between great ideas being mostly finished to great ideas being fully finished and produced, so that artists have something to showcase, can expand their portfolio, and hopefully from there, continue to make more art or get commissions.”

He also hopes some grant recipients will be able to use the funds to help complete submissions for the biennial SSNAP and Parallel Art Show competitions.

“Salt Spring is known as an artist island and I think this goes a good way to help encourage that concept and that idea,” he said.

SSNAP Society chair Janet Halliwell said, “The SSNAP Society is delighted to have partnered with the Wilding Foundation in developing this new opportunity to foster contemporary arts in our region, and to build on our reputation as a creative, arts-oriented community.”  

The Wilding Foundation also provides significant funds to other local programs related to technology and creativity, such as the FabLab makerspace at the Salt Spring Public Library, with equipment like 3D printers, scanners and a Cricut machine available to use for free to the public. Even staff costs for the space are covered by the foundation.

Technology classes for kids at the library are supported to ensure cost is no barrier to those wanting to attend, and the Gulf Islands Secondary School robotics team benefits hugely from the foundation. Salt Spring Arts and Graffiti Theatre have also received Wilding Foundation grants.

Wilding said the motivation for the Catalyst Grants and other funded programs is the same.

“Let’s support the arts and get people out there building and making and actually finishing projects, and making those resources available for people.”

For more information about the Catalyst Grants and SSNAP, see saltspringartprize.ca.

International musicians offer Lamento concert

On Wednesday, Nov. 27 at 7 p.m. at ArtSpring, Salt Spring Baroque welcomes U.K. viol consort Fretwork with internationally acclaimed countertenor Iestyn Davies in an exploration of exquisite and deeply spiritual 17th-century German repertoire.

The musicians will perform a program entitled Lamento. A beloved genre in the Baroque era, the lamento’s origins lay in early 17th-century Italian opera, before finding its way into sacred music. It was quickly embraced by German sacred composers, who used its expressive nature to depict the sorrow of mankind’s sin and the tragic Passion of Christ.

Johann Christoph Bach’s Ach, dass ich Wassers gnug hätte, his best-known work that laments the sinfulness of humanity, forms the foundation of this program that traverses across Baroque Germany. In 17th-century Germany, the violin was slow to arrive and dominate the musical landscape, so the sweet sound of the viol family was the instrumental texture of musical life, in the home, the court and church. The program features music from three Saxon friends with similar-sounding names, who came from the same neck of the woods: Schein, Scheidt and Schütz; and the great Buxtehude, in the north.

Davies, widely recognized as one of the world’s finest singers, is the recipient of two Gramophone Awards, a Grammy Award, an RPS Award for Young Singer of the Year, the Critics’ Circle Award and recently an Olivier Award Nomination. He was appointed Member of the Order of the British Empire in the Queen’s New Year’s Honours List 2017 for services to music.

The Independent wrote: “Iestyn Davies sings with rapturous virtuosity and uncanny beauty.”

Fretwork has been setting the standard for the viol consort performance for over 35 years. In 2026, Fretwork celebrates its 40th anniversary. In these last decades, they have explored the core repertory of great English consort music from Taverner to Purcell, made classic recordings against which others are judged, and commissioned an entirely new repertory of music for viols.

“Fretwork is the finest viol consort on the planet,” declared Stephen Pettitt in The London Evening Standard.

Tickets are available through ArtSpring, online and at the box office.

Viewpoint: Nature’s saddest song

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By FRANTS ATTORP

Anyone who doubts the pending demise of the Islands Trust need only examine the public engagement process for amending our official community plan (OCP): no mention of Salt Spring as a protected area, no mention of growth limits and no mention of population at build-out (when all lots are developed). The focus is on “community aspirations” and it’s as if the Islands Trust doesn’t exist.

This did not happen suddenly or by accident. The future of Salt Spring, and possibly the entire Trust Area, was largely decided during eight months of private meetings in 2020 when Salt Spring Island trustee Laura Patrick and lobbyists introduced a new planning concept called “integrated solutions.”

According to the group’s final report, “integrated solutions” will work like a silver bullet to simultaneously address the climate, housing and forest crises. But the catch phrase glosses over the downsides: massive upzoning of private land, gutting of policies that limit development, and juicing up of the real estate market, particularly with respect to tourist accommodation.

None of the targeted crises will be solved by the new approach. In fact, allowing for open-ended population growth will actually make the climate and land-use crises much worse, while adding only minimally to the long-term rental stock. Giving trustees almost unfettered upzoning powers goes against everything the Islands Trust stands for.

This deregulation has never been discussed by the community and it appears it never will be. By designing a “targeted update” process that affects the whole but allows for discussion of only part, trustees have effectively cut the Islands Trust out of the picture.

Planning reports assure us that amendments will be “consistent with the Islands Trust Policy Statement” which covers all the islands. But that is cold comfort given that trustees, including those from Salt Spring,have been working long and hard to make the document as toothless as possible.

The two-pronged attack on the Trust — at the local and Trust Council levels — has been anything but transparent. In addition to the private, undocumented meetings on Salt Spring, we have witnessed Trust Council’s 2023 in-camera meeting which resulted in a reinterpretation of the Trust mandate that was so outrageous it prompted 34 former trustees to write an open letter of concern.

In 2020, Salt Spring Solutions produced a promotional film that revealed their true feelings about the Islands Trust Act: “It was a radical and visionary model for the 1970s, but times have changed . . . .”

But that is only their opinion! Many local residents still cherish the Islands Trust dream and want housing solutions that respect long-term principles of conservation. Such solutions can never be found by people who are intent on tearing down the institution.

Nature is singing her saddest song. If it speaks to your heart, please participate in upcoming public engagement events relating to our OCP and make one simple request: maintain existing growth limits. The biggest threat to the islands is the belief that someone else will save them.

Editorial: Foundation’s giving spirit thrives

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Anyone attending the 40th anniversary celebration of the Salt Spring Island Foundation (SSIF) on Saturday would have left with a full tummy and warm heart.

Titled 40 Years of Giving, the celebration saw the ArtSpring gallery spaces literally overflowing with guests at one point as they enjoyed delicious food and beverages, socializing with fellow islanders and hearing about the incredible story of the foundation and its positive impact on the community.

Salt Spring Island’s Briony Penn, the executor of Nancy Braithwaite’s estate, gave a charming talk about the humble woman she said “felt that everything, even philanthropy, is about community” and whose bequest to SSIF is expected to reach the $6- million mark.

Instrumental people such as the late founder John Lees was acknowledged, as were longtime board members and chairs Bob Rush and Carol Biely, with the latter also speaking at the event. Representatives from a dozen of the many charities supported by the foundation gave three-minute talks about what was achieved due to SSIF grants, bringing the impact of those funds alive.

SSIF chair Walter Stewart said that when he joined the foundation board in 2021 the endowment was at about $7 million. He told Saturday’s crowd — to wild applause — that by the end of 2025 the foundation expects that figure to reach $21 million.

As SSIF executive director Shannon Cowan explained in a Nov. 6 Driftwood article, with such a healthy endowment fund, the group can consider ways to have even more impact. Stewart reiterated that message on Saturday, noting, “It gives us an opportunity to go several steps further, sustaining what we do, and being able to go a whole lot further.”

As evidenced by donations and the rising number of bequests, people clearly see the foundation as a responsible agency that does much good for the community. They feel confident in donating to the organization and connecting their legacy to it through estate bequests.

The SSIF event showed that Salt Spring Island is a much richer, healthier and cohesive community because of the foundation. Contributing to it is a surefire way to ensure we can continue to nurture the best things about our island home.

Strike halts mail, post offices open 

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After a year of negotiations failed to produce an agreement, Canada Post workers are striking –– and despite post offices remaining open on Salt Spring for now, the effects of halted mail flow will likely be felt almost immediately. 

Some 55,000 postal workers represented by the Canadian Union of Postal Workers (CUPW) went on strike across the country just after midnight Friday, Nov. 15, comprising workers in its urban, rural and suburban mail carrier bargaining units. 

Post office workers are part of a different bargaining unit from carriers; at Fulford, postmaster Andrea LeBorgne confirmed the front counters there would be open to customers, and Ganges postmaster Heather Adshead said people should feel welcome to come pick up their packages, despite the halt of service. 

“We’re at the counter, and handing out parcels,” said LeBorgne Friday morning. “Our doors are open, so people can come down to pick up parcels that are here.” 

CUPW members are asking for “reasonable fair wages, safe working conditions, the right to retire with dignity, and the expansion of services at the public post office,” according to an early-morning statement from the union. 

Canada Post in its statement said no new items would be accepted at post offices, and customers should expect delays as mail and parcels will not be processed or delivered for the duration of the strike.  

Gulf Islands Driftwood publisher Nancy Johnson said if the strike continues, subscribers should stop by after 9 a.m. Wednesday, Nov. 20 to pick up their copies in person at their office at 241 Fulford-Ganges Road.  

The free Extra edition and its flyers would be available there as well, with additional copies of the Extra to be available at Country Grocer, Thrifty’s, Salt Spring Coffee, TJ Beans, Switchboard Cafe, Rock Salt Restaurant, Salt Spring Mercantile, Windsor Plywood, Mouat’s Trading, Canco Gas, Mid Isle Coop Gas, Pharmasave, Embe Bakery, Barb’s Buns and at ferry terminals. 

This story is developing. 

Return It centre’s redeeming features

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Salt Spring’s Island Return It redemption centre processes a lot of containers –– 3 to 4 million units each year, according to owner/operator Sophy Roberge, taking redeemables rain or shine, from all corners of the island.  

“In the summertime, when tourists are peaking, it’s definitely higher,” said Roberge. “We get commercial drop-off –– so if they have a good year, we have a good year.” 

It’s a surprise for some that Return It is not a government enterprise, according to Roberge, who said that while the structure of the business developed from government actions, they’re not operated by the province. 

“We’re completely a customer-based business,” said Roberge. “We’re a licensed business –– not a franchise –– and there are about 180 licenses all over B.C.” 

A common question: Where does it all go? 

“We count it, put it in the computer, and put the cans in a bag,” said Roberge. “And that bag gets transported in one of those big trailers you see come in and out of our parking lot, and that trailer goes to Victoria.” 

Once there, she said, the cans are put into bigger “bales” and are loaded onto barges. 

“The barge goes to Vancouver, where the bales get melted,” she said. “It’s about 60 to 90 days from here to that [aluminum] being filled and back on the shelf for customers.” 

Glass is nearly as quickly turned around, she said. Good quality glass that’s recycled properly can be re-used or put into products like road aggregates. 

“Or it can be added to concrete,” said Roberge. “A lot is processed in Abbotsford, where they get re-melted into bottles.” 

Roberge said you can see different beverage trends at different locations; the Duncan location, she said, collects a lot of beer cans.  

And on Salt Spring? 

“A lot of wine,” she chuckled. “Here, it’s a lot of big glass bottles.” 

If there was a point of consumer confusion, she said, it might be that only the ready-to-drink containers can be collected at the redemption centre –– that means containers for creamer for the coffee, or whipped cream for your cocoa, need to go to the Rainbow Road recycling depot. 

There’s also nothing inherently different between alcoholic and non-alcoholic beverage cans, she said –– they’re just managed by different supply streams and have to be sent in different containers.  

People should leave labels on containers, she said, because when there’s an audit they are scanned, and bottles without labels don’t count. And, Roberge added, accuracy is the name of the game –– guessing isn’t good enough. 

“People think they can just fill up to the line, but we really need a good count,” she said. “When we get audited and the bag is wrong, we’re the one getting fined.” 

Make sure there’s no liquid, Roberge said –– rinse your milk, especially in the summer, drain that water and finish that beer –– and these days you can go ahead and leave the lids on. Roberge said there was a time when the request was to remove them, because when the big machine was compressing plastic bottles, caps were flying off dangerously. 

“But unfortunately, they found out that a lot of the lids then weren’t being recycled at all,” she said. “So now they have a big perforator to cut through so the air gets out before they’re compressed.”  

Is there a best time to come? 

“We’re open 9:30 a.m. to 4:30 p.m., Tuesday to Saturday,” said Roberge. “I’m going to say there’s no bad time. Sometimes it used to be Saturdays were not as busy, but with the recent road construction we’ve started recommending people come in then to avoid the traffic.” 

The new metal box out front gives people an option to carefully return containers outside of regular business hours, in exchange for donating their redemption money to a charity –– which will change each month, Roberge said, and Island Return It is inviting organizations to reach out to become a recipient. 

“It’s a win-win, right?” said Roberge. “You do something good for the environment, there’s less cost for your garbage and you –– or a charity –– gets money back.” 

For more information, or to apply to be the charity of the month, visit islandreturnit.com/salt-spring or call 250-537-8784. 

Ganges station solar roof subject of webinar

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A webinar planned by Salt Spring Community Energy (SSCE) will give islanders the chance to learn about the solar energy system emerging at the Mid Island Co-op and the implications for the future of commercial solar. 

SSCE’s Kjell Liem said the event, scheduled for 7:30 p.m. Wednesday, Nov. 20, would highlight a new building-integrated photovoltaic (BIPV) solar roof product, among the first of its kind in Canada, being installed at the gas station. 

“We are very excited to see the adoption of this truly cutting-edge technology in downtown Ganges,” said Liem, comparing the solar roof to one offered by U.S. automaker Tesla. 

“But it’s available in Canada,” he said, “and it’s actually here and electrifying Salt Spring.” 

The BIPV product blends solar technology directly into the roof itself, according to Colyn Strong, founder and president of Shift Energy Group, who are putting in the 37.12-kW system. He added that Mid Island Co-op’s history with sustainability and energy conservation made for a perfect fit. 

“We believe BIPV is the future of solar; every new home and building constructed should include a means of power generation and storage,” said Strong. “We’re very excited to continue our working relationship with Mid Island by showcasing this exciting product on their Salt Spring store.” 

Attendees at the SSCE webinar will hear directly from Shift’s director and project manager Michael Ayotte, who will discuss the project’s design, technology, and its implications for the future of commercial solar installations.   

Liem said as part of SSCE’s commitment to fostering renewable energy and clean technology on Salt Spring Island, the webinar will explore the business case for solar investments, particularly focusing on metal rooftop installations. A Q&A session will follow the presentations, allowing attendees to engage with the speakers and deepen their understanding of solar’s role in sustainable development.    

For free tickets visit: tinyurl.com/2z8akuen