Tuesday, April 21, 2026
April 21, 2026
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SoundGardens Festival of music and sound on April 25-26 weekend

SUBMITTED BY OF SOUND MINDS

A new festival devoted to immersive sound and deep listening is set to debut on Salt Spring Island later this month.

Presented by Of Sound Minds, the inaugural SoundGardens Festival runs April 25 to 26 at Beaver Point Hall, bringing together a diverse lineup of artists from Salt Spring Island, Victoria, Vancouver and beyond for a weekend of experimental music, sound installations and participatory listening experiences.

The festival invites audiences into a carefully shaped sonic environment that emphasizes attentiveness, curiosity and the physical experience of sound. Set in a slightly off-grid community hall known for its grassroots spirit, SoundGardens offers an intimate setting where listeners are encouraged to engage deeply — not just with what they hear, but with how they hear it.

This primarily acoustic sound event also makes use of ‘West Coast Radians’, handcrafted wooden resonators that transform the hall into a responsive acoustic space. These sculptural panels amplify and contour sound in ways that can be felt as much as heard, creating a full-body listening experience as vibrations move through the room.

Festival goers can expect a relaxed and inclusive atmosphere. Seating is flexible — from chairs to cushions and blankets — and audiences (including children) are welcome to move through the space, experiencing sound from different perspectives. The events celebrate the natural and accidental sounds of the environment through attentive listening.

Among the featured events is Hours. Minutes. Seconds., an immersive installation by Peter Hatch that explores the perception of time through sound. The collaborative concert Quora brings together Meredith Bates, Arie Verheul van de Ven, Marina Hasselberg and Sam Howard in an improvisation shaped by the listening practices of Pauline Oliveros.

A participatory workshop, Deep Listening into Sounding, will be led by Tina Pearson, introducing Oliveros’s influential Deep Listening® practice. The festival also features Immersive Sonic Delights, an octophonic concert of electroacoustic works by composers including Barry Truax, Hildegard Westerkamp, Sarah Belle Reid, David Eagle, Matt Robertson and John Cage.

Rounding out the program is Secret Sky, a trance-inspired guitar duo featuring Sean Kiley and Brian Desjarlais, exploring repetition and altered states of perception.

All events take place at Beaver Point Hall, with the free-to-attend installation presented in the hall’s classroom and concerts and workshops in the main space. Festival passes and individual tickets are available in advance and at the door.

Organizers note that while accessible parking is available, facilities are rustic, with onsite outhouses. Attendees are encouraged to bring cushions or blankets for comfort, and those arriving by bicycle will receive a complimentary refreshment.

For more information, tickets or volunteer opportunities, visit the Of Sound Minds website: www.ofsoundminds.ca.

Ménestrel presents the Order of Good Cheer concert

SUBMITTED BY SALT SPRING BAROQUE

In the winter of 1606, on the rugged shores of the “New World,” Samuel de Champlain founded the Order of Good Cheer. It was North America’s first social club, a spirited mix of wine, camaraderie and music designed to keep spirits high during the long, isolated winters. This spirit of connection and cultural celebration is the heartbeat of Ménestrel, an alternative early music ensemble coming to Salt Spring Island to bring the 17th century to life.

Ménestrel is not your typical period-instrument ensemble. By juxtaposing early music with folk traditions — the “true songs of the people” — the group aims to demystify ancient repertoire. They showcase the melodies that forged the foundations of French-Canadian culture, proving that music from four centuries ago remains as timeless and relevant today as it was then.

The ensemble was co-founded by two of Canada’s most compelling emerging artists: Janelle Lucyk and Kerry Bursey.

Lucyk is a celebrated singer and producer specializing in historically informed performance. A graduate of the Conservatoire Royal de Bruxelles and Durham University, she balances a busy performance schedule with major administrative roles, including serving as the artistic and administrative director of Musique Royale in Nova Scotia. She also directs the new ArtChoral series at the historic La Grande Salle du 9e in Montreal.

Bursey, a Montreal-based tenor and plucked-string instrumentalist, is known for a “dreamy troubadouresque sweetness” in his performances. He is a sought-after lutenist and guitarist who specializes in the art of self-accompaniment. In addition to his work with Ménestrel, he regularly performs as a soloist with renowned groups such as Ensemble Caprice and the Studio de musique ancienne de Montréal.

Since its inception in 2019, Ménestrel has performed in all 13 Canadian provinces and territories. They recently returned from an international residency in France and Spain, where they focused on new workshops and recordings. Whether they are performing in prestigious concert halls or in unexpected historic venues — as they do with their popular “Messiah-on-the-go!” production — their mission remains the same: to share the transformative power of music.

Their upcoming program features an evocative selection of songs inspired by the sea, the “new world” and universal themes of hope. It is a rare opportunity to hear world-class early music in an intimate local setting.

• When: Friday, April 24 at 7 p.m.

• Where: All Saints by-the-Sea Anglican Church

• Tickets: Available online at saltspringbaroque.com and artspring.ca.

Klein’s Bribe, Inc. film up for Emmy

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An investigative documentary film by Salt Spring’s Peter Klein — Bribe, Inc. — has been nominated for an Emmy Award for Best Business Documentary.

According to press material about the film, “nearly a decade in the making, Bribe, Inc. uncovers one of the largest corporate bribery scandals in modern history — a story that had previously eluded public attention, despite its staggering scale. At its centre is Unaoil, a Monaco-based company that operated as a global middleman, helping multinationals like Rolls-Royce, Honeywell, KBR and Samsung secure billions of dollars in oil contracts through the systematic bribery of government officials across the Middle East, North Africa and Central Asia.

“Told through four central figures — investigative reporter Nick McKenzie, U.K. law enforcement veteran Tom Martin, anti-corruption crusader Alexandra Addison and a courageous whistleblower who risked his life to expose the scheme — the film unfolds with the pace and tension of a political thriller.”

Klein is the film’s director, co-producer, co-executive producer and co-writer and the film was produced out of his Salt Spring studio. Addison, the film’s main protagonist, is from Delta and lives in Vancouver.

Bribe, Inc. was shown at the 2025 Salt Spring Film Festival, where it shared the Audience Favourite Canadian Feature Film Award with The Stand. The film debuted at the Hollywood Film Festival and had its Canadian premiere at the Vancouver International Film Festival cinema.

Variety called the film’s revelations “explosive.” The Guardian described it as “filled with the kind of cloak-and-dagger developments one associates with potboilers and airport novels.” Daily Mail called it the “greatest exposé of bribery and corruption in modern history.”

Klein has been an Emmy nominee multiple times for work with colleagues on shows such as 60 Minutes, where he was a producer for many years, Frontline/World and 20/20, and a winner on three occasions.

Klein is a professor in the School of Journalism, Writing and Media at UBC and founded and co-directs the non-profit Global Reporting Centre from there.

Mount Bruce tower to grow to 55 metres

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A telecommunications project planned on Mount Bruce won’t be subject to a public consultation requirement in Salt Spring’s protocol for antenna systems, as the island’s Local Trust Committee (LTC) voted to exempt a Rogers Communications application to extend a current tower to 55 metres in height.

“There’s about 10 towers up on Mount Bruce right now,” said Cypress Land Services partner Chad Marlatt, who brought the proposal on behalf of Rogers.

Marlatt said the communications company was decommissioning a different antenna near a Navigation Canada site on Mount Tuam, and that the additional height atop Mount Bruce is expected to cover the difference.

“This tower will be replacing a lot of the service that [Mount Tuam] tower provides on the south end of the island, and will also enhance services mid-island,” said Marlatt. “They are losing that tower in August, so we’re trying to expedite the process as much as possible, still staying within LTC policies.”

Telecommunications infrastructure is regulated by the federal government through Innovation, Science and Economic Development Canada (ISED); local governments act as land use authorities and provide comments and concurrence, according to staff, but final authority over antenna siting rests with ISED.

The Salt Spring Island Antenna System Siting and Consultation Protocol includes several exemption criteria that apply to the tower project, according to a staff report, including its location, and that the proposal involves modification of an existing tower, rather than establishment of a new site.

Marlatt said despite seeking the exemption from the consultation process, Cypress would still make the application to the LTC. In addition, despite the lack of ground disturbance — the new tower will sit on the old one’s existing foundation — Marlatt agreed they would provide notice to local First Nations.

Retreat centre proposed for Musgrave property

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The newest owners of a 230-acre waterfront property at the remote southwest end of Salt Spring Island hope to develop a private retreat centre there — and local Islands Trust officials say they’re breathing easier as the land becomes less likely to be carved up and fully developed.

The four parcels that comprise the Musgrave Farm and Retreat plan include acres of old-growth Douglas-fir forest environment, multiple existing residences and farm buildings and almost two kilometres of shoreline facing Sansum Narrows, according to an application for rezoning brought to the island’s Local Trust Committee Thursday, April 9. The historic agricultural property at 230 Smith Rd. was listed for sale at $14 million in 2022, and according to a rezoning application was sold by the Kellogg family to new owners David Menschel and his wife Nina Amstutz. 

“I think we all were nervous when this property was for sale years ago, as to what it could have become due to this 1971 ‘vintage’ zoning that exists,” said local trustee Laura Patrick. “The potential that could have happened really could have changed that side of the island. So I’m so glad to see an owner that has taken the time and effort to really think about use of this land and bring forth an innovative proposal.”

According to application documents, in addition to a private residence and substantial conservation covenant on much of the property, the couple plan to found a retreat centre, itself independently owned and operated by a non-profit charitable organization. To that end, the project introduces a new definition into Salt Spring’s Land Use Bylaw: “retreat centre,” specifically requiring operations be guided by a non-profit society.

“This is a large piece of property that’s quite beautiful, quite special ecologically,” said Village Builders’ Elizabeth FitzZaland, representing the owners to the LTC Thursday. “It’s special to First Nations, special in the settler history of the island and Salt Spring’s farms. The owner is really looking to protect all those aspects of the property.”

The retreat centre concept was “born from the owners’ professional careers and philanthropic work in justice and the arts,” according to the application, “. . . envisioned as a place to support the healing, restoration and professional development of artists, social and environmental activists, understood broadly to include people from all sorts of occupations — writers, academics, filmmakers, journalists, ecologists, musicians, public interest lawyers, public health advocates, community organizers and Indigenous community leaders — people united by a common commitment to make life on earth more just, tolerant, inclusive, peaceful and sustainable.”

“It’s really a healing and arts retreat that would be done by scholarships,” said FitzZaland. “Small-scale cohorts in the high season.”

The centre will invite guests who will be provided accommodations and meals free of charge, funded through the nonprofit, according to the application, eventually accommodating as many as 20 guests — or “fellows” — from May through to September or October each year. 

“Fellows” will be identified through a combination of invitation and application, according to the retreat’s vision description, based on their current projects and “contributions to the world of art and activism.”

“Some will come for a week, as a group, to meet, discuss common challenges and learn from one another,” according to the application. “Others will come for as long as a month and bring long-term projects with them; they might work on a book chapter, write an academic article, edit a documentary film, or complete a work of art.”

Guests and “fellows” will largely arrive via a small private boat operated by the Retreat Centre from Vancouver Island and Victoria Airport, according to a transportation plan; if included in the bylaw amendment, “retreat centre” programs and guest residencies will be constrained to more than two and fewer than 30 days in duration. 

The proposal includes renovating some existing structures and building as many as 20 guest accommodation units without kitchens, according to a staff report, along with a main program building with communal dining and accessory uses.

Trustees directed staff to proceed with preparing a draft bylaw amendment to facilitate the change in use, refer the project to local advisory committees, First Nations and other applicable agencies for comment and schedule a community information meeting to be held at least two weeks prior to the LTC meeting where the draft bylaw is expected to receive first reading.

Musgrave Retreat drawings.

Trustee opinion: Partnerships are the path forward in challenging times

By LAURA PATRICK

SSI LOCAL TRUSTEE +

ISLANDS TRUST COUNCIL CHAIR

Across local and regional governments, difficult choices have become the norm.

Councils and boards are routinely faced with deciding whether to fund one priority at the expense of another. Too often, worthwhile initiatives — those that could meaningfully improve community well-being or protect the environment — are delayed or set aside. For elected officials, this can bring a quiet but persistent sense of frustration.

Yet there is a growing recognition that no single government can meet today’s complex challenges alone. Partnerships are no longer optional — they are essential.

The Islands Trust is uniquely positioned in this regard, as a member of two United Nations Biosphere Regions: Mount Arrowsmith and Atl’ka7tsem/Howe Sound. These designations are more than symbolic; they create opportunities to collaborate across jurisdictions and sectors in ways that traditional governance structures often cannot.

At a recent roundtable for the Mount Arrowsmith Biosphere Region, participants — including local and regional governments, First Nations, academics, and industry and community representatives — came together to explore both the challenges and opportunities presented by the United Nations Sustainable Development Goals (SDGs). The SDGs offer a shared global framework for advancing human well-being while safeguarding the planet and are fundamental to a UNESCO-designated biosphere reserve.

What makes the SDGs particularly powerful is their recognition that these issues are interconnected. Addressing poverty cannot be separated from improving health and education. Economic growth must go hand in hand with reducing inequality. Environmental protection is inseparable from tackling climate change. Progress in one area depends on progress in others.

At the heart of this framework is Goal 17: Partnerships for the Goals. It is a reminder that meaningful progress happens when diverse groups come together, share knowledge and align their efforts.

Roundtables like the Mount Arrowsmith Biosphere Region create space for exactly this kind of collaboration. Participants step outside the constraints of legislation, bylaws and institutional silos. They can think more broadly, exchange ideas and explore innovative solutions that might not emerge within the limits of any single organization.

For the Islands Trust, this collaborative approach is not just beneficial — it is fundamental. Its legislated mandate explicitly calls for cooperation with others. By engaging in partnerships such as biosphere region roundtables, the Trust strengthens its ability to preserve and protect the vast Trust Area and its unique amenities and environment for the benefit of current and future generations.

At a recent Mount Arrowsmith Biosphere Region roundtable, facilitators introduced the concept of “futuring” — the practice of intentionally shaping the future we want to see. In this context, adopting the SDGs is like planting seeds. Each partner contributes ideas and energy at the shared table, then carries those ideas back into their own organizations and communities. In the right conditions, those seeds can take root and grow into tangible action.

In an era defined by complexity and constraint, partnerships offer a way forward. They allow us to move beyond the limits of individual mandates and toward a shared vision of sustainability, resilience, and collective well-being.

The challenges we face are too interconnected — and too urgent — for any one body to solve alone. But together, through strong and purposeful partnerships, a better future is within reach.

Island groups push solutions to housing gap

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When BC Housing finally craned modular units into place at its long-awaited project on Salt Spring’s Drake Road, the province — at almost the last minute — included a small nod to the island’s affordable housing shortage.

Along with 32 housing units for people at risk of homelessness, BC Housing set aside a bachelor suite and three one-bedroom units, according to Lookout Society’s Lee Fox — without those supportive services, but offered with rental costs tailored to working islanders.

Critics who called that a “drop in the bucket” may have understated things.

“We had over 100 applications for those four units,” said Fox. “They were rented out really, really quickly.”

Lookout was among several earnest community groups who gave updates on their housing efforts to Salt Spring’s Local Community Commission Thursday, April 9. And while that body is working to craft its own strategic housing plans, all agreed that lasting solutions to the crisis on Salt Spring will be necessarily costly, collaborative and complex — involving a mix of building more housing and optimizing how existing homes are used. 

If the most conspicuous result of Salt Spring’s lack of affordable housing has been staff shortages, the most visible recent effort to reverse that trend has likely been the Lady Minto Hospital Foundation’s (LMHF) Bittancourt Road project, now called Heartwood House. With 18 units on Salt Spring’s busiest road, options range from studios to two-bedroom apartments, all set aside for provincially employed healthcare workers. 

The building is also almost completely full.

“Our foundation’s mission had nothing to do with housing, but here we are,” said LMHF chair Julian Clark. “It became very clear that we could spend as much money as we liked on equipment for the hospital, but if there was no one to run that equipment it wasn’t going to do much good.”

The majority of Heartwood’s residents are from Island Health and Greenwoods, according to Heartwood House Housing Society executive director Brett Webb, from registered nurses and health care aides to peer support workers, med students, cooks and support staff — anyone required to run facilities.

“Of the current tenants, six were vulnerably housed [employees] on the island that we’ve now housed at Heartwood, and eight are new staff that have come to the island from Canada, the U.S. and in some cases even further than that,” said Webb. “And if staff already on the island lose their housing, they can come live at Heartwood for a few years — and we won’t lose them.”

Subsidies through the foundation hold residents’ portions of the all-inclusive rents at 30 per cent of their income, when necessary; there are three units set aside for travelling staff — nurses, midwives and doctors brought in to fill temporary shortages on the island. 

And all units have a hard three-year residency cap, a policy meant to align with how long it generally takes new islanders to meaningfully access Salt Spring’s “grapevine” word-of-mouth rental market. Even more importantly, according to Clark, that cap multiplies the effect of building Heartwood in the first place — an $11-million project mostly funded by local donations that arguably might’ve just been “dropped in the bank,” he said, with interest used to generate housing subsidies.

“But our purpose in all of this was to decrease the vacancy rate of healthcare workers on the island,” said Clark. “If we’d brought, say, 18 healthcare workers here who never left Heartwood House, then we’d barely have brought that down by a blip. But if we can ‘matchmake’ these fabulous tenants with unrented suites on the island, we can have real success over the long run.”

Clark said the foundation’s push now would be “whatever help we can give or get” to encourage getting those underutilized properties into the rental market. Unfortunately, two efforts along those lines have so far failed to find eager participants on Salt Spring. 

The Housing Now home-share program has had some successes on smaller islands, according to Salt Spring’s coordinator Adam Evanik — but not so much on the largest.

“Salt Spring has been the problem child,” said Evanik. “We have plenty of people looking [for housing], but not too many looking to share.”

Housing Now’s collaboration with app Happipad is designed to produce strong lease agreements, facilitate conflict resolution and structure equity-building for tenants. But despite having its own referral program — businesses can “sign off” on reliable employees, Evanik said — it’s been a hard sell.

“We’ve had a lot of issues with homeowners on Salt Spring overcoming the fear of having tenants — what if I can’t get a tenant out? What if they’re a problem?” said Evanik. 

Evanik also said Salt Spring property owners seem to be seeking more of what he called a “traditional renter-landlord situation.”

“So [they] have the space, and it needs to make this much money,” said Evanik. “It’s just that traditional structure, and the need for people to rent their suites out for a market rate that helps them, based on their costs.”

Meanwhile, the CRD’s three-year pilot Rural Housing Program’s (RHP) accessory dwelling unit (ADU) stream — which set aside $500,000 for rebates of up to $40,000 for eligible homeowners who create or upgrade discount-rent housing at their properties — is also struggling to find takers.

“We haven’t received any applications yet,” said RHP coordinator Joan Wandolo. “So the focus is now turning toward increasing awareness of access to this rebate.”

Notably, and from a second half-million-dollar RHP pot, the program’s “pre-development” funding stream is awarding $100,000 to the Gulf Islands Seniors Residence Association (GISRA). Much like LMHF, GISRA — which employs 20 staff operating the Meadowbrook independent living retirement facility — found itself stepping into the unexpected role of affordable housing creator. 

GISRA’s property on Kings Lane had long been slated for a “Meadowbrook 2” sort of development — but as it turned out, the original had satisfied the market.

“The need for that type of housing for seniors was well-met on Salt Spring,” said GISRA executive director Harry Barnes. “The best use for the property is affordable housing, with ‘workforce’ housing being in the highest need.”

Convincing the Islands Trust to rezone the parcel for affordable housing was an easier task than closing what Barnes said is an $8- to $10-million funding gap to build and operate the project, even supported through future rents. GISRA has already invested some $3 million in the project, but a BC Housing grant application last year was turned down for not being “shovel-ready” enough, Barnes said — and a submission seeking funding via the provincial Community Housing Fund has been sidelined, as the government put that $3.3-billion program on pause for “reallocating.”

“We are in a discussion with BC Housing about some of their other programs,” said Barnes. “We don’t know whether there’s any money there; we’re all waiting with bated breath for some big announcement. But we’re not going to stop; we are going to do this, as far as GISRA possibly can.”

Editorial: Choosing wisely

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It’s not a simple thing to tease voter sentiment out of the results of a low-turnout local election.

More cynical observers of island politics might point to single-digit turnout for the Salt Spring Island Fire Protection District’s election as a signal of apathy, or suggest that the scaling back of mail-in ballots might’ve brought those numbers down. Island history buffs would note that, particularly for improvement district leadership, ballot numbers have most often trended parallel to controversy — fewer votes means less drama.

But as much as Salt Spring voters can be counted upon to not fix that which ain’t broke, they also — at least as whatever microcosm of the island the fire district might be — paid enough attention to pick and choose from five candidates, including three with recent track records, and two of those three adding a third newcomer to their “teamwork” slate.

Incumbents thrive in elections where voters support the direction things are going, and a drama-free status quo is usually kind here to those running for re-election. That just two of three found themselves returned to duty suggests voters saw at least some daylight between them — whether on issues, competence or comportment. 

But most importantly, and despite small numbers, these results suggest those voters were truly engaged. In a relatively short time, candidates successfully differentiated themselves, and the ratepayers weighed in — mostly choosing, this time, to stay the course.

Meanwhile, the island’s other major improvement district — the North Salt Spring Waterworks District — has already sent out mail-in ballots and set May 6 from 2 to 6 p.m. at Community Gospel Chapel as in-person voting day, bringing another opportunity for voters to sort out what they want from local board leadership. Driftwood readers will hear directly from the three candidates vying for two seats in a Q&A format in next week’s paper and on our website.

And while October may seem a lifetime away, local candidates have already begun positioning themselves to run for Salt Spring’s broader elected positions.

If there’s a lesson to be taken from the first contest of 2026, it might be that on this island, there are no laurels stable enough that candidates can simply rest upon them; the electorate must be convinced — and re-convinced — you’re the right person for the job. 

Creative island team presents MINOTAURUS!

SUBMITTED ARTICLE

There’s something deeply satisfying about watching a myth unravel — especially when it refuses to stay in one shape for long.

In MINOTAURUS!, an ensemble of performers takes the familiar language of ancient Greek tragedy and stretches it to its limits. The piece opens with heightened, almost ceremonial imagery — echoes of chorus, ritual and inevitability — before sharply shifting gears.

Suddenly, the tone fractures. Rap music cuts through the atmosphere. The physical language loosens. What felt controlled becomes unpredictable, even unruly.

This is not a straightforward retelling. It’s a constant transformation.

Written and directed by Brette Little with choreography by Charlotte Priest, both graduates of Simon Fraser University’s Contemporary Arts BFA program, the production brings together dancers and actors in a physically driven exploration of the Minotaur myth — one that refuses to settle into a single mood or meaning. Instead, it moves restlessly between intensity and absurdity, structure and collapse.

The monster at its centre is no exception. Here, the Minotaur doesn’t stay fixed —i t’s part wrestler, part Greek mythological creature, shifting between something fearsome, exaggerated, and at times unmistakably ridiculous.

Clown elements — drawn in part from Little’s training with Philippe Gaulier — thread through the work as a disruptive force. Just when the world feels grounded in myth, it slips. Gestures are pushed too far. Images tip into absurdity. The performers embrace a kind of controlled chaos, where precision and failure sit side by side.

The ensemble — Anthony Charrette, Simone Cazabon, Michael Bean, Zach Lundrie, Charlotte Priest, Roy Val Clery, Kristen Frampton and Rigobert Kefferputz — moves as both a unified force and a collection of distinct voices, constantly building and undoing the world of the piece in real time. There’s a sense of risk throughout, as though the performance could veer in a new direction at any moment.

Rather than guiding the audience cleanly through a story, MINOTAURUS! invites you to stay with the shifts — to experience the tension between the serious and the absurd, the mythic and the contemporary.

Because in this version of the myth, the labyrinth isn’t a structure. It’s a state of mind — and there’s no clear way out.

MINOTAURUS! runs at Bullock Lake Farm on April 17, 18, 19, 24, 25 and 26 at 7 p.m.

Tickets are available through Eventbrite.

Jesus Christ Superstar singalong a treat

By Wendy Webb
Special to the Driftwood

If you were to walk by Beaver Point Hall on Good Friday afternoon you would have heard 75 voices raised in song interlaced with laughter and applause.

Michelle Footz, music instructor at Gulf Islands Secondary School, (a.k.a. Shelder the Electric Clamfish) stepped out on a limb a few years ago and organized the first unusual annual music event at Beaver Point Hall Good Friday and it has grown in popularity since.

Footz came up with the idea of a Jesus Christ Superstar participatory sing-a-long using a screen with words as in karaoke in a unique way of expression. It is a bringing together of community “in many different ways,” whether in the spirit of the day or a tribute to the incredible 1971 rock opera by Andrew Lloyd Webber and music by Tim Rice. The venue being casual and relaxed is perfect. Footz definitely has the presence, voice and musicianship to pull it off. She encourages being in character and a few people were. About mid-show a surprise appearance of well- known Vancouver accordionist Pavel Rhyzlovsky was a special treat and surprise to everyone, including Footz! He slipped in and joined in easily.

My final thoughts? Many attending still own the sound track album or passed it along when CDs made the scene. I’m looking forward to next year. Think I’ll dress as the temple money lender.

You can meet Michelle and company at Beaver Point Hall on July 4 when three bands rock it: Local band Zelk, Bu Von Blume from Cumberland and Balkan Shmalkan from Vancouver. Tickets are on sale now.

The writer is a South Ender and lover of Beaver Point Hall.