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Editorial: Anything’s possible

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Is it just us, or have a few news stories published in recent weeks had a similar flavour to our April 1 front-page gondola article? 

In case you missed it, that piece announced “Gondola system planned for island” and detailed a fully funded ready-to-roll project linking Ganges, Vesuvius and Fulford Harbour via use of enclosed eight-passenger aerial cabins. It was a joke, but some people have told us they thought it was a great idea. 

Since then we’ve heard about a comprehensive healing and arts centre proposed by a nonprofit for Musgrave Road, extension of a Rogers Communications Mount Bruce cell tower to 55 metres in height and, in today’s issue of the paper, mention of round-abouts to improve pedestrian and traffic safety in Ganges, and plans for an ice rink to be set up on the island. All true!

According to our research, documented attempts to secure a place to skate on Salt Spring reach back to 1974. Then in 1995, much like the current proponents, a nonprofit society was formed specifically for the purpose of creating an ice arena. While a location for today’s portable facility must still be found, this effort, theoretically requiring no taxpayer funding, feels like it could hit the net. 

Roundabouts — the clear choice by consultants for improving safety at the intersections of Fulford-Ganges and Lower Ganges roads (by Centennial Park) and at Upper and Lower Ganges roads — are also in the long-wished-for-but-deemed-impossible category of community amenity.  

But in both the ice rink and roundabout cases, it’s appropriate to bring out the “never say never” adage. Who would have thought the Salt Spring fire department could ever acquire a ladder truck, as recently announced — or a new fire hall, for that matter? 

And speaking of getting things done, islanders have been absolute rock stars in this year’s Let’s Pick It Up, Salt Spring! campaign. There’s still another week left in April and time to choose a road or beach on the island to make trash free. (See page 12 in this week’s paper for details on how to help.)

Who knows, if that level of energy can be harnessed, maybe we’d be able to get a roundabout by the soon-to-be old fire hall within five years. If not, it will make a good April Fool’s Day headline in 2037, the next time April 1 falls on Driftwood’s Wednesday publication day.

Viewpoint: Crucial exemption applies

By Frants Attorp

For 50 years the Islands Trust has succeeded in keeping Salt Spring largely rural and distinct from the surrounding urban sprawl. Unfortunately, the planning agency is now under attack by factions not only claiming they want something done about the current housing shortage but also seeking to make housing the main driver of land-use planning forevermore, just like in any municipality. This would amount to nothing less than the overthrow of the Islands Trust.

Almost everyone has heard of the Trust’s “preserve and protect” mandate, but few know there is something much more specific to constrain development, namely exemption from Section 473.1 (3) of the Local Government Act, which requires local governments to “provide for at least the 20-year total number of housing units required to meet anticipated housing needs, which total number is included in the most recent housing needs report . . . .”

While the Local Trust Committee has to file and consider housing needs reports, it is not required to meet the identified needs. Housing is a secondary consideration subject to the primary goal of protecting the island’s natural environment. Without this legal protection, growth cannot be limited and the island’s unspoiled beauty and vulnerable ecosystems would soon succumb to the same market forces that have engulfed the whole region.

HOUSING WORKING GROUP

A report written by the Housing Working Group in 2020 laid the groundwork for today’s “targeted update” of our Official Community Plan) (OCP) — with no public meetings. That document set out a process for a major OCP amendment that promised “integrated solutions” but focused primarily on housing needs as identified in housing needs reports. The urgent need for new carrying capacity and ecosystem-health studies was not even mentioned.

OCP “UPDATE”

Today’s “targeted OCP update” project, which is clearly a full-scale remake of the island, is similarly contrary to the Islands Trust Act as it makes increased housing the primary, long-term goal while naming environmental protection as a secondary consideration to be “integrated.” Furthermore, the limited scope of the project precludes any discussion of growth, sustainability and existing science showing the island is already overdeveloped at build-out — again, without public meetings.

TRANSITION SALT SPRING

In their recent feedback to Trust Council regarding the draft Trust Policy Statement, Transition Salt Spring incorrectly described LTC responsibilities with regard to housing in much the same way the OCP consultant did just prior to abandoning the “update” project.

From their Jan. 31, 2026 submission: “This balance is critical to allow LTCs to update their OCPs and Land Use Bylaws to meet local and provincial requirements, particularly around housing, and to align with the current and future needs.”

Making the Islands Trust a slave to housing needs reports defeats its entire purpose as a conservation agency.

INCORPORATION REJECTED

Salt Springers soundly rejected municipal governance in the 2002 and 2017 referendums. If those results are going to be overturned, it must not happen without a further referendum and a full community discussion of what is possible under our existing OCP and the Islands Trust Act itself.

The writer is a Salt Spring resident.

Concert bridges eras, genres and repertoire 

BY MEGAN WARREN

For ArtSpring

On Tuesday, April 28 at 7:30 p.m., the ArtSpring stage hosts a rare meeting of musical minds as the Juno-nominated Cheng² Duo joins forces with legendary clarinetist James Campbell. 

This performance brings together three of Canada’s most celebrated instrumentalists for an evening that transcends the boundaries of a traditional classical recital. 

Siblings Bryan (cello) and Silvie (piano) Cheng share an onstage rapport that can only come from a lifetime of making music together. Since their 2011 Carnegie Weill Recital Hall debut, they have toured extensively across Europe, the Americas, Asia and South Africa, earning a reputation for a “contagious joy” that makes classical music feel immediate and accessible. Their performances embody the physical energy of a live conversation — a quality that has earned them praise for being truly exhilarating to watch.

The Chengs are dedicated to presenting a repertoire that bridges eras and cultures. Their most recent album, Portrait — Juno-nominated for the 2024 Small Ensemble Classical Album of the Year — features original arrangements of two beloved Chinese folk songs alongside vibrant contemporary commissions. Whether they are tackling historical masterworks or jazz-infused pieces, the duo moves seamlessly between the delicate and the powerful, making music that is both perfectly executed and deeply personal.

For this Salt Spring engagement, the duo becomes a trio with the addition of Canadian clarinet superstar James Campbell. A Member of the Order of Canada and artistic director of the Festival of the Sound since 1985, Campbell has performed in over 35 countries with more than 60 orchestras. His clarinet work is described by the Governor General of Canada awards page as “flawless, rich and technically superb.” By adding his clarinet to the Chengs’ piano and cello, the group is able to explore a wider range of textures and sounds, from intimate melodies to complex, high-energy exchanges.

To secure your seat for this unforgettable evening, visit the ArtSpring box office or purchase.artspring.ca

Repair Cafés offer more than just fixing

By Lighter Living, a Transition Salt Spring Initiative

There’s a particular kind of energy in a Repair Café: part curiosity, part hope, part quiet determination. A table full of broken things, and behind it, people who simply refuse to believe those things are at the end of their story.

Spend a few hours with four of our volunteer fixer crew — Martin Thorn, John Newton, Omar Al-Khafaji and Gary Kunz — and you start to see that what’s being repaired isn’t just lamps and kettles. It’s something deeper. A mindset. A memory. A way of being in the world.

Where it all begins

For many of them, fixing isn’t “a skill” they picked up, it was culture, a requirement of daily life previous to our modern “everything is disposable” society.

Martin traces it back to his father, raised during the Depression, when nothing was wasted and everything was made to last. Hockey sticks weren’t bought, they were crafted by hand. As a kid, he admits, that was a little embarrassing. But they worked. And that was the point.

John’s story echoes a similar thread. Wartime frugality, an analogue world and a natural curiosity about how things worked. You didn’t throw things away. You figured them out.

Omar remembers being just eight years old, already convinced that if humans could build something, he could take it apart and fix it. (Though he laughs about his mother’s TV he never managed to revive despite packing it in a suitcase when he first came to Canada.)

Gary puts it simply: when something breaks, like a flat tire, you fix it. You figure it out because it needs figuring out.

The quiet satisfaction of fixing

Ask them what they enjoy most, and none of them talk about complexity or challenge. It’s something more human.

Martin lights up when someone brings in a cherished object — something with a story attached. Watching the owner’s face when it works again — that’s the reward.

John finds satisfaction in restoring broken ceramics or artwork especially when it matters deeply to the person who brought it in.

Omar recalls a father and son standing across the table from him, the boy completely absorbed in the process of figuring out a repair. “That alone made the entire afternoon worthwhile,” he says.

And Gary? Sometimes it’s as simple as a kettle. Five seconds, a tiny adjustment and suddenly it works again. The owner is surprised, delighted and maybe just a little amazed.

Lamps, glue and the unexpected

There are patterns, of course.

“Lamps, lamps, lamps,” Martin says.

John agrees, along with a steady stream of items that just need gluing back together. Simple breaks. Clean fixes.

Gary adds kettles to the list. Omar sees a rotating cast of coffee machines, mowers, blowers and a whole variety of other mechanical bits that land on his table.

And then there are the surprises: A red-light facial mask. A fishing reel that refused to cooperate. A toilet bidet attachment. The Repair Café, it turns out, is never boring.

What people really come for

At first glance, people come to get things fixed. But standing at the table, something else happens.

People ask questions . . . about tools, about glue, about how something works. They watch closely. They’re often surprised that repair is even possible.

Omar sees it all the time: “People are astounded that things can be fixed.”

Martin notices something similar, people gaining the confidence to try things themselves. Even when they’re just observing, as Gary points out, something is being absorbed.

The bigger picture

Underneath the fixes, there’s a shared frustration: cheap, disposable products. Poor design. Things built without repair in mind. 

Omar doesn’t mince words: we’ve been trained to chase shiny, low-cost items without understanding the relationship between quality and price.

Gary sees it too — older items often can be repaired. Newer ones? Not so much.

And yet, none of them frame the Repair Café as a protest.

For John, it’s about community first. The environmental impact matters, but what keeps him coming back is the sense of connection. Familiar faces. Conversations. The simple act of helping.

Martin calls it a perfect fit for a long-held dream, a place where tools, knowledge and people come together.

Omar says it more bluntly: “I can help. It’s great to feel useful.”

Why they keep showing up

Across all four, one thing is consistent: they come back because it feels good. Not in a grand, abstract way, but in a grounded, human one.

People say thank you. Things that mattered get a second life. Strangers become neighbours.

There’s laughter. Problem-solving. The occasional unsolvable puzzle. And always, the sense that something worthwhile is happening, one small repair at a time.

An open invitation

If you ask them what they’d say to someone considering volunteering, the answers are simple.

“There’s no downside,” Omar says.

John points to the feeling of being part of something larger, a caring, capable community. Martin offers gratitude, plain and direct.

And Gary?  “Hello, I’m Gary. Nice to meet you.” Which might be exactly the point. Because at the Repair Café, you don’t have to be an expert. You just have to show up, get involved and be willing to try.

And sometimes, that’s where the real repair begins.

Come meet the fixers at our next Repair Café, Sunday, April 26, 10:30 a.m. to 1:30 p.m. at Meaden Hall. 

We invite you to sign up for more free access to Lighter Living content at tinyurl.com/Lighter-Living. Learn how to take low-effort actions that feel good, benefit our community and help the planet.

BARRETT, Anthony Haydn

February 5, 1970 – April 8, 2026

It is with great sorrow that I’m announcing the passing of my son Anthony Haydn Barrett, who died suddenly in his home of natural causes on April 8 2026. He leaves behind his loving mother Joanna, her partner Brian, his father Geoff and his partner Lindsey.

Upon moving to Salt Spring with his family in 1981, he enjoyed his youth, joining sports teams and riding his dirt bike over the hills of Salt Spring. Anthony, unbeknownst to his Mum, had started cutting friends’ hair in his bedroom so upon graduation he joined his Mum at Island Magic Touch Hair Salon. There as a team, side by side they cut Salt Springers’ hair for the last 26 years.

He loved music, his guitars, his snazzy white sports car, his home and family, especially visiting his family in England. He and his dog were constant companions until Barnaby’s death 4 years ago.

Anthony will be sorely missed by his family and friends but never forgotten.

There will be a memorial service Friday, April 24 at 11am at All Saints church and a gathering at 121 Desmond Cr. following the service.

SMITH, Marilyne

1945 – 2026

With deep love, we announce the passing of Marilyne Kathleen Smith in Taber on Tuesday, April 7, 2026 at the age of 80 years.

Marilyne is lovingly remembered by her children Lisa (Mark) Meuleman of Seattle and Nicole (Jim) Biniaris of Moose Jaw; her cherished grandchildren Katia and Ava Meuleman, and Yiorgo and Yhanei Biniaris. She is also survived by her sister Bonnie (Barry) Daisley; sister-in-law Teresa Illerbrun; cousin-in-law Wendy Scott (Ed Wallace) as well as numerous nieces and nephews.

She was predeceased by her husband Monti Maxwell; parents Alan and Marie Smith; siblings Frank (Violet) Smith, James Smith, Vicki Smith, Marjorie Smith, and Sonja Smith; and her former husband, Ronald Mowbray.

Born in Taber, Marilyne carried her prairie roots with her throughout her life. She dedicated over forty years to a career in banking, serving in a variety of roles, including management, until her retirement in 2005. She lived in Calgary and Vancouver, and spent nineteen cherished years on Pender Island before returning to Taber in 2023.

Marilyne’s greatest joy was her grandchildren. She treasured time spent with them – day trips to Roe Island and the spit, simple picnics at the park, singing to and fro – simple moments that became lasting memories. Marilyne also loved to bake, especially fresh pies, which she often shared as her quiet token of appreciation. Her heart was also given to a very special dog named Finegan, who has been lovingly taken in by niece Joan Smith. If you ever have a chance to meet Finegan, give him lots of rubs and treats as he will miss his Marilyne ever so much. She will be deeply missed and forever loved.

“Those we love never truly leave us; they live on in the love they gave.”

SoundGardens Festival of music and sound on April 25-26 weekend

SUBMITTED BY OF SOUND MINDS

A new festival devoted to immersive sound and deep listening is set to debut on Salt Spring Island later this month.

Presented by Of Sound Minds, the inaugural SoundGardens Festival runs April 25 to 26 at Beaver Point Hall, bringing together a diverse lineup of artists from Salt Spring Island, Victoria, Vancouver and beyond for a weekend of experimental music, sound installations and participatory listening experiences.

The festival invites audiences into a carefully shaped sonic environment that emphasizes attentiveness, curiosity and the physical experience of sound. Set in a slightly off-grid community hall known for its grassroots spirit, SoundGardens offers an intimate setting where listeners are encouraged to engage deeply — not just with what they hear, but with how they hear it.

This primarily acoustic sound event also makes use of ‘West Coast Radians’, handcrafted wooden resonators that transform the hall into a responsive acoustic space. These sculptural panels amplify and contour sound in ways that can be felt as much as heard, creating a full-body listening experience as vibrations move through the room.

Festival goers can expect a relaxed and inclusive atmosphere. Seating is flexible — from chairs to cushions and blankets — and audiences (including children) are welcome to move through the space, experiencing sound from different perspectives. The events celebrate the natural and accidental sounds of the environment through attentive listening.

Among the featured events is Hours. Minutes. Seconds., an immersive installation by Peter Hatch that explores the perception of time through sound. The collaborative concert Quora brings together Meredith Bates, Arie Verheul van de Ven, Marina Hasselberg and Sam Howard in an improvisation shaped by the listening practices of Pauline Oliveros.

A participatory workshop, Deep Listening into Sounding, will be led by Tina Pearson, introducing Oliveros’s influential Deep Listening® practice. The festival also features Immersive Sonic Delights, an octophonic concert of electroacoustic works by composers including Barry Truax, Hildegard Westerkamp, Sarah Belle Reid, David Eagle, Matt Robertson and John Cage.

Rounding out the program is Secret Sky, a trance-inspired guitar duo featuring Sean Kiley and Brian Desjarlais, exploring repetition and altered states of perception.

All events take place at Beaver Point Hall, with the free-to-attend installation presented in the hall’s classroom and concerts and workshops in the main space. Festival passes and individual tickets are available in advance and at the door.

Organizers note that while accessible parking is available, facilities are rustic, with onsite outhouses. Attendees are encouraged to bring cushions or blankets for comfort, and those arriving by bicycle will receive a complimentary refreshment.

For more information, tickets or volunteer opportunities, visit the Of Sound Minds website: www.ofsoundminds.ca.

Ménestrel presents the Order of Good Cheer concert

SUBMITTED BY SALT SPRING BAROQUE

In the winter of 1606, on the rugged shores of the “New World,” Samuel de Champlain founded the Order of Good Cheer. It was North America’s first social club, a spirited mix of wine, camaraderie and music designed to keep spirits high during the long, isolated winters. This spirit of connection and cultural celebration is the heartbeat of Ménestrel, an alternative early music ensemble coming to Salt Spring Island to bring the 17th century to life.

Ménestrel is not your typical period-instrument ensemble. By juxtaposing early music with folk traditions — the “true songs of the people” — the group aims to demystify ancient repertoire. They showcase the melodies that forged the foundations of French-Canadian culture, proving that music from four centuries ago remains as timeless and relevant today as it was then.

The ensemble was co-founded by two of Canada’s most compelling emerging artists: Janelle Lucyk and Kerry Bursey.

Lucyk is a celebrated singer and producer specializing in historically informed performance. A graduate of the Conservatoire Royal de Bruxelles and Durham University, she balances a busy performance schedule with major administrative roles, including serving as the artistic and administrative director of Musique Royale in Nova Scotia. She also directs the new ArtChoral series at the historic La Grande Salle du 9e in Montreal.

Bursey, a Montreal-based tenor and plucked-string instrumentalist, is known for a “dreamy troubadouresque sweetness” in his performances. He is a sought-after lutenist and guitarist who specializes in the art of self-accompaniment. In addition to his work with Ménestrel, he regularly performs as a soloist with renowned groups such as Ensemble Caprice and the Studio de musique ancienne de Montréal.

Since its inception in 2019, Ménestrel has performed in all 13 Canadian provinces and territories. They recently returned from an international residency in France and Spain, where they focused on new workshops and recordings. Whether they are performing in prestigious concert halls or in unexpected historic venues — as they do with their popular “Messiah-on-the-go!” production — their mission remains the same: to share the transformative power of music.

Their upcoming program features an evocative selection of songs inspired by the sea, the “new world” and universal themes of hope. It is a rare opportunity to hear world-class early music in an intimate local setting.

• When: Friday, April 24 at 7 p.m.

• Where: All Saints by-the-Sea Anglican Church

• Tickets: Available online at saltspringbaroque.com and artspring.ca.

Klein’s Bribe, Inc. film up for Emmy

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An investigative documentary film by Salt Spring’s Peter Klein — Bribe, Inc. — has been nominated for an Emmy Award for Best Business Documentary.

According to press material about the film, “nearly a decade in the making, Bribe, Inc. uncovers one of the largest corporate bribery scandals in modern history — a story that had previously eluded public attention, despite its staggering scale. At its centre is Unaoil, a Monaco-based company that operated as a global middleman, helping multinationals like Rolls-Royce, Honeywell, KBR and Samsung secure billions of dollars in oil contracts through the systematic bribery of government officials across the Middle East, North Africa and Central Asia.

“Told through four central figures — investigative reporter Nick McKenzie, U.K. law enforcement veteran Tom Martin, anti-corruption crusader Alexandra Addison and a courageous whistleblower who risked his life to expose the scheme — the film unfolds with the pace and tension of a political thriller.”

Klein is the film’s director, co-producer, co-executive producer and co-writer and the film was produced out of his Salt Spring studio. Addison, the film’s main protagonist, is from Delta and lives in Vancouver.

Bribe, Inc. was shown at the 2025 Salt Spring Film Festival, where it shared the Audience Favourite Canadian Feature Film Award with The Stand. The film debuted at the Hollywood Film Festival and had its Canadian premiere at the Vancouver International Film Festival cinema.

Variety called the film’s revelations “explosive.” The Guardian described it as “filled with the kind of cloak-and-dagger developments one associates with potboilers and airport novels.” Daily Mail called it the “greatest exposé of bribery and corruption in modern history.”

Klein has been an Emmy nominee multiple times for work with colleagues on shows such as 60 Minutes, where he was a producer for many years, Frontline/World and 20/20, and a winner on three occasions.

Klein is a professor in the School of Journalism, Writing and Media at UBC and founded and co-directs the non-profit Global Reporting Centre from there.

Mount Bruce tower to grow to 55 metres

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A telecommunications project planned on Mount Bruce won’t be subject to a public consultation requirement in Salt Spring’s protocol for antenna systems, as the island’s Local Trust Committee (LTC) voted to exempt a Rogers Communications application to extend a current tower to 55 metres in height.

“There’s about 10 towers up on Mount Bruce right now,” said Cypress Land Services partner Chad Marlatt, who brought the proposal on behalf of Rogers.

Marlatt said the communications company was decommissioning a different antenna near a Navigation Canada site on Mount Tuam, and that the additional height atop Mount Bruce is expected to cover the difference.

“This tower will be replacing a lot of the service that [Mount Tuam] tower provides on the south end of the island, and will also enhance services mid-island,” said Marlatt. “They are losing that tower in August, so we’re trying to expedite the process as much as possible, still staying within LTC policies.”

Telecommunications infrastructure is regulated by the federal government through Innovation, Science and Economic Development Canada (ISED); local governments act as land use authorities and provide comments and concurrence, according to staff, but final authority over antenna siting rests with ISED.

The Salt Spring Island Antenna System Siting and Consultation Protocol includes several exemption criteria that apply to the tower project, according to a staff report, including its location, and that the proposal involves modification of an existing tower, rather than establishment of a new site.

Marlatt said despite seeking the exemption from the consultation process, Cypress would still make the application to the LTC. In addition, despite the lack of ground disturbance — the new tower will sit on the old one’s existing foundation — Marlatt agreed they would provide notice to local First Nations.